Bibliography

 

In three parts: 1. Books; 2. Articles in Journals, chapters in books, etc; 3. Videos and other media.

Please Note: All books published in London unless noted as elsewhere.

 

1. BOOKS

 

ADAIR, Christie. Women & Dance, The Macmillan Press 1992

 

ADONIS, Andrew. & Stephen Pollard. A Class Act: The myth of Britain's classless society, Hamish Hamilton 1997

 

ADORNO, Theodor & Max Horkheimer. Dialectics of Enlightenment, Verso 1997 (orig. 1944)

 

ADORNO, Theodor. Minima Moralia: reflections from damaged life, Transl. E.F.N.Jephcott, Verso 1978 (orig. Frankfurt, 1951)

 

AGAR, Michael H. The Professional Stranger: an informal introduction to ethnography, Academic Press, second edition, 1996 (orig. 1980)

 

ALASUTARI, Perti. Researching Culture: qualitative method and cultural studies, Sage 1995 (orig. Finland 1993).

 

ALCOFF, L. & E.Potter. eds. Feminist Epistemologies, Routledge 1993

 

ALVESSON, Mats & Kaj Skoldberg. Reflexive Methodology: new vistas for qualitative research, Sage 2000

 

ALWAY, Joan. Critical Theory and Political Possibilities: conceptions of emancipatory politics in the works of Horkheimer, Adorno, Marcuse and Habermas, Greenwood Press 1995

 

ANDERSON, Benedict. Imagined Communities: Reflections on the origin and spread of nationalism, Verso 1983

 

ANDERSON, Perry. Considerations on Western Marxism, Verso 1979

 

ANON.  Cultures of Resistance, rachred57@hotmail.com, , 2000 (Unpaginated, perfect bound pbk c96pp, no publisher given, printed by The Book Factory, London.)

 

ANTLIFF, Allan. Anarchist Modernism: art, politics and the First American Avant-garde, University of Chicago Press 2001

 

ALVESSON, Mats & Kaj Skoldberg. Reflexive Methodology: new vistas for qualitative research, Sage 2000

 

ARBLASTER, Anthony. Democracy, second edition, OUP 1996 (orig. 1994)

 

ARENS, Edmund. Logic of Pragmatic Thinking: from Pierce to Habermas, Transl. David Smith, Humanities Press USA, 1993

 

ARONOWITZ, Stanley. Dead Artists Live Theories and other cultural problems, Routledge 1994

 

ASHENDEN, Samantha. & David Owen. Foucault Contra Habermas: recasting the dialogue between Genealogy and Critical Theory, Sage 1999

 

ASSOCIATION EUROPEENNE INEDITS, Jubilee Book: essays on amateur film, A.E.I. Belgium, 1997

 

BAKER, Houston A. Jr. Rap and the Academy, Chicago U.P. 1993

 

BAILEY, Peter. ed. Music Hall: The business of pleasure, OUP, Milton Keynes 1986

 

BARLOW H.B. & J.D. Mollon. Eds. The Senses, Cambridge U.P. 1982

 

BARTHES, Roland. Image - Music - Text, Fontana, Glasgow, 1977 (orig. 1961)

 

BARTHES, Roland. The Semiotic Challenge, California U.P., USA 1994

 

BATTCOCK, Gregory.  Ed. The New American Cinema, Dutton, New York 1967

 

BAUDRILLARD, Jean. Symbolic Exchange and Death, Transl. Iain Grant, Sage 1993

 

BAUMAN, Zygmund. Globalisation, Polity, Cambridge 1998

 

BAYNES, Kenneth. Normative Grounds of Social Criticism: Kant, Rawls and Habermas, New York U.P. 1991

 

BECK, Ulricke, Democracy Without Enemies, Tranls. Mark Ritter, Polity Press 1998

 

BELGRAD, Daniel. The Culture of Spontaneity, improvisation and the Arts in Postwar America, Chicago U.P. 1998

 

BENJAMIN, Andrew. ed. The Problems of Modernity: Adorno and Benjamin, Routledge 1989

 

BENJAMIN, Andrew. Judging Lyotard, Routledge 1992

 

BENJAMIN, Walter. Illuminations, Transl. Harry Zohn. Fontana 1973-77 (orig. Frankfurt 1955)

 

BENHABIB, Seyla.  Wolfgang BonB and John McCole, eds. On Max Horkheimer: new perspectives, MIT Press 1993

 

BENNETT, Tony. The Birth of the Museum: History, theory, politics, Routledge 1995

 

BENNETT, Tony. Culture: a reformers science, Sage 1998 (orig 1981)

 

BERGER, A.A. Media Research Techniques, Sage California 1991

 

BERNAUER, James, & David Rasmussen. eds. The Final Foucault, MIT 1988

 

BIGNELL, J. Media Semiotics: An introduction, Manchester U.P. 1997

 

BERNSTEIN, J.M. Recovering Ethical Life: Jurgen Habermas and the future of critical theory. Routledge 1994

 

BERNSTEIN, R. ed. Habermas and Modernity, Polity/MIT 1992

 

BEST, Steven. Politics of Historical Vision: Marx, Foucault, Habermas, Guildford Press USA 1996

 

BLACKBURN, Julia. The White Men: the first response of aboriginal peoples to the white man, Orbis 1979

 

BLAUG, Ricardo. Democracy Real and Ideal: discourse ethics and radical politics, New York U.P. 1999

 

BOAL, Augusto. Legislative Theatre: using performance to make politics, tranl. Adrian Jackson. Routledge 1998

 

BOOKCHIN, Murray. The Third Revolution: popular movements in the revolutionary era Vol.1, Cassell 1996

 

BOURDIEU, Pierre. Distinction, a social critique of the Judement of Taste, Transl. Richard Nice, Routledge 1984-89 (orig. Paris 1979)

 

BOURDIEU, Pierre. Homo Academicus, Transl. Peter Collier, Stanford U.P. USA (& Polity Press, Cambridge) 1988 (orig. Paris 1984)

 

BOURDIEU, Pierre. The Field of Cultural Production: essays on art and photography, Columbia U.P. 1993

 

BOURDIEU, Pierre. The Rules of Art, Genesis and structure of the literary field, Transl. Susan Emamel, Polity Press, Cambridge 1996 (orig. Paris 1992)

 

BOURDIEU, Pierre. M┌ditations Pascaliennes Paris, ░d. du Seuil, 1997

 

BOYES, Georgina. The Imagined Village: culture ideology and the English Folk Revival, Manchester U.P. 1993

 

BOYLE, Deirdre. Subject to Change: Guerilla television revisited, Oxford U.P. 1997

 

BRAATEN, Jane. Habermas's Critical Theory of Society. New York U.P. 1991

 

BRATTON, J.S. Music Hall: performance & style, OUP, Milton Keynes 1986

 

BREAKWELL, Ian. Diaries, Pluto Press 1986

 

BREAKWELL, Ian & Paul Hammond. eds. Seeing in the Dark: a compendium of cinemagoing, Serpents Tail 1990

 

BREAKWELL, Ian. Derby Days, R.G.A.P. Derby 2001

 

BRETT, Guy. Through Our Own Eyes: popular art and modern history, G.M.P. 1986

 

BRETT, Guy. Exploding Galaxies: the art of David Medalla, Kala Press 1995

 

BRETTELL, Richard. Modern art, Capitalism and Representations 1851 - 1929, Oxford U.P. 1999

 

BREWSTER, Ben & Lea Jacobs. Theatre to Cinema: stage pictorialism and the early feature film, Oxford U.P. 1997

 

BROCKMAN, John & Ed Rosenfeld. Real Time: a catalogue of ideas and information, Picador 1973

 

BRUYN, Severyn T. The Human Perspective in Sociology: the methodology of participant observation, Prentice Hall, USA 1966

 

BRYMANN, A. Quantity and Quality in Social Research, Routledge 1988

 

BURCH, Noel. Life to Those Shadows, British Film Institute 1990.

 

BURROUGHS, William, Gregory Corso, Brion Gysin & Sinclair Beiles. Minutes to Go, Beach Books, California 1968

 

BURTON, Alan. The People's Cinema: film and the Co-operative Movement, National Film Theatre, 1994

 

BURZINYNSKI, Tadeus & Zbigniew Osinski. Grotowski's Laboratory, Interpress, Warsaw 1979

 

CALHOUN, C. Critical Social Theory: culture, history and the challenge of difference, Blackwells 1995

 

CARDEW, Cornelius. Stockhausen Serves Imperialism, Latimer, 1974

 

CAREY, John. The Intellectuals and the Masses, Pride and Prejudice amongst the Literary Intelligensia 1880 - 1939, Faber & Faber 1992

 

CARSON John & Susannah Silver. Eds. Out of the Bubble: approaches to 'Contextual Practice' within Fine Art education, The London Institute 2000

 

CAYGILL, Howard. The Art of Judgement, Blackwells 1989

 

CAYGILL, Howard. Walter Benjamin: The colour of experience, Routledge 1998

 

CEPLAIR, Larry & Steven Englund. The Inquisition in Hollywood: politics in the film community 1930-1960, Berkeley 1983

 

CHAMBERS, Simone. Reasonable Democracy: Jurgen Habermas and the politics of discourse, Cornell U.P. 1996

 

CHANAN, Michael. The Dream that Kicks: The prehistory and early years of cinema in Britain, Routledge, 2nd edition 1996 (orig. 1980)

 

CHRISTIE, Ian. The Last Machine: early cinema and the birth of the modern world. London: BBC 1994

 

CLIFFORD, J. The Predicament of Culture, Harvard U.P. Boston 1988

 

CLIFFORD, J. & MARCUS G. Eds. Writing Culture: The poetics and politics of ethnography, California U.P. Berkeley 1986

 

COATES, Ken & Anthony Topham. eds.  Industrial Democracy in Great Britain: a book of readings and witnesses for workers control, MacGibbon and Kee 1968

 

COBLEY, Paul. ed. The Communication Theory Reader, Routledge 1996

 

COHEN-CRUZ, Jan. Radical Street Performance: an international anthology, Routledge 1998

 

COLLINSON, Patrick. From Iconoclasm to iconophobia: the cultural importance of the Second English Reformation. Stenton Lecture 1985 (Reading U.P. 1986)

 

Contemporary Polish Artists in Great Britain, Association of Polish Artists, 1983

 

COOKE, Maeve. Language and Reason: A study of Habermas's pragmatics, MIT 1994 - 97

 

COULDRY, Nick. Inside Culture: re-imagining the method of cultural studies, Sage 2000

 

CUBITT, Sean. Timeshift - On Video Culture, Routledge 1991

 

CURTIS, Dave. Experimental Cinema, Studio Vista 1971

 

CURTIS, Dave. ed. A Directory of British Film and Video Artists, Arts Council of England/ University of Luton 1996

 

CUTTS, Simon & Erica van Horn, The Artist Publisher: a survey by Coracle Press 1986

 

DANTO, Arthur C. Beyond the Brillo Box: The visual arts in post-historical perspective, Farrar, Straus, Giroux New York 1992

 

DAVID, James E. Allegories of Cinema: American film in the sixties, Princeton U.P. USA 1989

 

D'ENTREVES, Maurizio Passerin. & Seyla Benhabib, eds. Habermas and the Unfinished Project of Modernity: critical essays on The Philosophical Discourse of Modernity, Polity Press 1996

 

DELEUZE, Gilles. Tranl. Hugh Tomlinson, Nietzsche & Philosophy, Althone Press, 1996 (orig. France 1962),

 

DELEUSE, Gilles & Felix Guattari, On the Line, Transl. John Johnston,  Semiotext(e) USA 1983

 

DEFLEM, Mathieu. ed. Habermas, Modernity and Law, Sage 1996

 

DENIZEN, Norman K. Interpetive Ethnography, Sage 1997

DEWS, Peter. ed. Autonomy & Solidarity: interviews with Jurgen Habermas, Verso 1992

 

DEWEY, John. Art as Experience, Perigee USA 1980 (orig 1934)

 

DEWEY, John. Freedom and Culture, Prometheus Books, USA, 1989

 

DEWEY, John. Experience and Nature, Dover, USA 1958 (orig.1929)

 

DICKSON, Malcolm. ed. Art With People, AN Publications, Newcastle, 1995

 

DIXON, Robert. The Baumgarten Corruption: from sense to nonsense in art and philosophy, Pluto, 1995

 

DIXON, W.W. Exploding Eye, S.U.N.Y. 1997

 

DOCHERTY, David, David Morrison and Michael Tracey, The Last Picture Show? Britain's changing film audiences, British Film Institute 1987

 

DOYLE McCARTHY, E. Knowledge as Culture: The new sociology of knowledge, Routledge 1996

 

DREYFUS, Paul & Paul Rabinow, Michel Foucault: Beyond Structuralism and Hermeneutics, University of Chicago (& Harvester Wheatsheaf UK) 1983

 

DUNCAN, Carol. Civilising Rituals: inside public art museums, Routledge 1996

 

DUNCOMBE, Stephen. Notes from Underground: Zines and the politics of alternative culture, Verso 1997

 

DUSINBERG, Deke & A.L. Rees. eds. Film as Film: Formal experiment in film 1910 - 1975, Arts Council of GB/ Hayward Gallery 1979

 

DUSINBERG, Deke. English Avant Guard Film: an early chronology, (m/s available at British Film Institute library) c1980s

 

DWOSKIN, Stephen. Film Is: The International Free Cinema, Overlook Press, N.Y. 1975

 

EAGLETON, Terry. The Idea of Culture, Blackwell 2000

 

ECO, Umberto. A Theory of Semiotics, Indiana U.P. USA 1976

 

ELIAS, Norbert. The Court Society, Transl. Edmund Jephcott, Blackwells 1983

 

EMMISON, M. & P. SMITH, eds. Researching the Visual, Sage 2000

 

EHRENREICH, Barbara & Diedre English. Witches, Midwives and Nurses: a history of women healers, Writers and Readers Publishing Co-op 1973

 

EVANS, Jessica & Stuart Hall, Eds. Visual Culture, Sage/OUP 1999

 

FAIRCLOUGH, N. Discourse and Social Change, Polity Oxford 1992

 

FALZON, Christopher. Foucault and Social Dialogue: beyond fragmentation, Routledge 1998

 

FANON, Frantz.  The Wretched of the Earth, Penguin 1967 - 90 (orig. France 1961)

 

FERRELL, Jeff.  Crimes of Style: urban graffiti and the politics of criminality, North Eastern U.P. Boston, USA 1996 (1993)

 

FEBVRE, Lucien & Herni Jean Martin. The Coming of the Book: the impact of printing 1450-1800', Verso 1990 orig. Paris 1958

 

FISH, Charles. Blue Ribbons and Burlesque: a book of country fairs, The Countryman Press, Woodstock, Vermont 1998

 

FLEMING, Marie. Emancipation and Illusion: rationality and gender in Habermas's theory of modernity, Penn. State U.P. 1997

 

FORGACS, D. ed. Antonio Gramsci: selections from cultural writings, Lawrence & Wishart 1985

 

FOUCAULT, Michel. The Order of Things: an archaeology of the human sciences, Tavistock 1970

 

FOUCAULT, Michel. The Archaeology of Knowledge, Routledge 1989-97, (orig. Paris 1969)

 

FOUCAULT, Michel. Power/Knowledge: selected Interviews and other writings 1972 - 1977, ed. C. Gordon, Pantheon Books N.Y. 1980

 

FRANKEL, Ellen & Paul. eds. Democracy, Cambridge U.P. 2000.

 

FREEMAN, Jo. & Cathy Levine. Untying the Knot: feminism, anarchism & organisation, Dark Star/ Rebel Press 1985 (reprints of texts from early 1970s)

 

FROST, Christopher. & Rebecca Bell-Metereau, Simone Weil: On politics, religion and society, Sage 1998

 

GARFINKEL, Harold. Studies in Ethnomethodology, Prentice-Hall USA 1967

 

GEERTZ, Clifford. The Interpretation of Cultures, Basic Books N.Y. 1973

 

GEERTZ, Clifford. Local Knowledge, Basic Books N.Y. 1983

 

GENOSKO, Gary. Undisciplined Theory, Sage 1998

 

GIDALS, Peter. ed. Structural Film Anthology, British Film Institute 1976

 
GIDALS, Peter. Structuralist Film, Routledge 1989

 

GINSBURG, Carlo. The Cheese and the Worms: The cosmos of a sixteenth century miller, Pelican 1980

 

GOLDBERG, Rosalee. Performance: live art 1909 to the present, Thames & Hudson 1979

 

GOODY, Jack. The Interface between the Written and the Oral, Cambridge U.P. 1987 - 93

 

GOODY, Jack. Representations and Contradictions: ambivalence towards images, theatre, fiction, relics, sexuality. Blackwells 1997

 

GORMAN, Clem. People Together: a guide to communal living, Paladin 1975

 

GOULDNER, Alvin. The Coming Crisis of Western Sociology, Heinemann 1971

 

GREGORY, Chris. Be Seeing You: Decoding The Prisoner, Univ. of Luton 1997

 

GREEN, Jonathan. Days in the Life: Voices from the English Underground 1961 - 1971, Pimlico 1998 (orig. Heinmann 1988)

 

GRONOW, Jukka. Sociology of Taste, Routledge 1997

 

GUATTARI, Felix. Chaosmosis, an ethico-aesthetic paradigm, Transl. Paul Bains & Julian Pefanis, Power Publ. Sydney 1995 (orig. Paris 1992)

 

GUILLORY, John. Cultural Capital: the problem of literary canon formation, Chicago U.P. 1993

 

GUPTA, Akhil. & James Ferguson. eds. Culture, Power, Place: explorations in critical anthropology, Waybe State U.P. Detroit USA 1997

 

HABERMAS, Jurgen. Knowledge and Human Interests, Heinmann 1972

 

HABERMAS, Jurgen. Theory and Practice, Beacon Press, 1974 (orig. 1971)

 

HABERMAS, Jurgen. Communication and the Evolution of Society, Transl. T.McCarthy, Polity Press 1991 (orig. USA 1979)

 

HABERMAS, Jurgen. The Theory of Communicative Action, Vol. 1, Reason and the Rationalisation of Society, Transl. Thomas McCarthy, Polity 1986  (orig. Frankfurt 1981)

 

HABERMAS, Jurgen. The Theory of Communicative Action, Vol. 2, Lifeworld and system: a critique of Functionalist Reason, Transl. Thomas McCarthy, Polity 1989 Paperback edition (orig. Frankfurt 1981)

 

HABERMAS, Jurgen. The Philosophical Discourse of Modernity: twelve lectures, Transl. Frederick G. Lawrence, Polity 1990 (orig. Frankfurt 1985)

 

HABERMAS, Jurgen. Postmetaphysical Thinking: Philosophical essays, MIT Press USA 1992

 

HABERMAS, Jurgen. Between Facts and Norms: Contributions to a discourse theory of Law and Democracy, Transl. William Rehg, Polity Cambridge 1996 (orig. Frankfurt 1992)

 

HABERMAS, Jurgen. Structural Transformation of the Public Sphere: inquiry into a category of Bourgeois society, MIT 1991

 

HABERMAS, Jurgen. New Conservatism: cultural criticism and the historians, Transl. Shierry W. Nicholson, Polity 1994 (orig transl. 1989)

 

HABERMAS, Jurgen. & Christian Lenhardt. Moral Consciousness and Communicative Action, Polity Press 1992

 

HABERMAS, Jurgen. Justification and Application: remarks on discourse ethics, Polity Press 1993

 

HABERMAS, Jurgen. Post-Metaphysical Thinking: between metaphysics and the critique of reason, Polity Press 1994

 

HABERMAS, Jurgen. Past as Future, Transl. Max Pensky. Polity Press 1994

 

HABERMAS, Jurgen.  The Inclusion of the Other: studies in political theory, eds. Ciaran Cronin & Pablo De Greiff, Polity Press 1999 (orig. 1996)

 

HABERMAS, Jurgen.  On the Pragmatics of Communication, Polity Press 1999

 

HABERMAS, Jurgen. The Postnational Constellation: Political Essays, trans, ed. and with an introduction by Max Pensky, MIT Press 2001

 

HABERMAS, Jurgen. On the Pragmatics of Social Interaction: Preliminary Studies in the Theory of Communicative Action, trans. by Barbara Fultner, MIT Press 2001

 

HABERMAS, Jurgen. The Liberating Power of Symbols: Philosophical Essays, MIT Press 2001

 

HACKER, Ken L. ed. Digital Democracy, Sage 2000

 

HAMMERSLEY, M. & P. Atkinson, Ethnography, Routledge 1995

 

HANDY, Charles. Understanding Organisations, Penguin, 1993

 

HARDING, Colin & Brian Lewis. eds. Talking Pictures: The popular experience of cinema, Yorkshire Arts Circus Sheffield 1993

 

HARDING, Colin & Simon Popple. Eds. In the Kingdom of Shadows: a companion to early cinema, Cygnus Arts 1996

 

HARDING, Sandra. Whose Science? Whose Knowledge? Thinking from Women's Lives, O.U.P. Milton Keynes 1991

 

HARRINGTON, Austin. Hermeneutic Dialogue & Social Science, Routledge 2001

 

HARRIS, D. From class struggle to the politics of pleasure: The effects of Gramscianism on cultural studies, Routledge 1992

 

HARRIS, Roy. The Origin of Writing, Duckworth 1986

 

HARPER, Sue. & Vincent Porter. Weeping in the cinema: a reassessment of Mass Observation material, M.O. Archive, University of Sussex 1995

 

HALLIDAY, M.A.K. 1978, Language as Social Semiotic, Edward Arnold 1978

 

HAYWARDS, Phillip. Culture, Technology and Creativity in the late Twentieth Century, John Libbey 1991

 

HEBDIGE, Dick. Subculture: The meaning of style, Methuen 1979

 

HEBDIGE, Dick. Hiding in the Light: on images and things, Routledge 1988

 

HELD JR, John. International Artists Cooperation: Mail Art Shows, 1979 - 1985. Dallas Public Library Texas 1986

 

HENRI, Adrian. Environments and Happenings, Thames & Hudson 1974

 

HENSHAW, David. Animal Warfare: the story of the animal liberaton movement, Fontana 1984

 

HESCHONG, Lisa. Thermal Delight in Architecture, M.I.T. 1979

 

HEWISON, Robert. Culture and Consensus: England, art and politics since 1940, Methuen 1997

 

HOBBES, Thomas. Leviathan, edited by Richard Tuck, Cambridge U.P. Revised student edition, 1996 (orig. 1651)

 

HODGE,Robert & Gunther Kress. Social Semiotics, Cornell U.P. New York 1988

 

HOME,Stuart. The Assault on Culture: Utopian currents from Lettrisme to Class War, Aporia Press & Unpopular Books 1988

 

HONDERICH, Ted. ed. The Oxford Companion to Philosophy, Oxford U.P. 1995

 

HONNETH, Axel. & Hans Joas eds. Communicative Action: essays on Jurgen Habermas' 'Theory of Communicative Action', Polity Press 1991

 

HORNE, Donald. The Public Culture: An argument with the future, Pluto 2nd edition 1994 (orig. 1986)

 

HORSTER, Detlef. Habermas: an introduction, Pennbridge 1992

 

HOW, Alan. The Habermas-Gadamer Debate and the Nature of the Social: back to bedrock, Aldershot USW: Avebury 1995

 

HOY, David C. ed. Foucault: a critical reader, Blackwell Oxford 1986

 

HUME, David. An Enquiry Concerning the Principles of Morals, edited by Tom L. Beauchamp. Oxford U.P. 1998

 

HUNTER, James Davidson. Culture Wars: The struggle to define America, Basic Books N.Y. 1991

 

INGRAM, David. Habermas and the Dialectic of Reason, Yale U.P. 1989

 

JARANDARIE, Khosrow. Spoken and Written Discourse: a multi-disciplinary perspective, Ablex Stamford, Connecticut 1999

 

JAMES, David E. ed. To Free the Cinema: Jonas Mekas and the New York underground, Princeton U.P. 1992

 

JAMESON, Frederick. The Cultural Turn, Verso 1998

 

JENKINS, Keith. Rethinking History, Routledge 1991

 

JENKINS, Keith. On 'What is History?': from Carr and Elton to Rorty and White, Routledge 1995

 

JENKINS, Keith. Why History?: ethics and postmodernity, Routledge 1999

 

JENKS, C. Culture, Routledge 1993

 

JENNINGS, Michael W. Dialectical Images, Walter Benjamin's theory of literary criticism, Cornell U.P. Ithaca & London, 1987

 

JOHNSON, Christopher. Derrida: The scene of writing, Phoenix, London, 1997

 

JONES, Chris & Genevieve Jolliffe, The Guerilla Film-makers Handbook, Cassell, 1998 (1996)

 

JORDAN, Stephanie. Striding Out: aspects of contemporary and New Dance in Britain, Dance Books 1992

 

JOYCE, Patrick. Class, Oxford U.P. 1995

 

KAPLAN, Ann E. Rocking Around the Clock: music television, postmodernism and consumer culture, Methuen 1987

 

KAUFFMAN, Stuart. At Home in the Universe: The search for laws of complexity, Viking, 1995

 

KELLY, Michael. Ed. Critique and Power: recasting the Foucault-Habermas Debate, MIT, Cambridge, Mass. USA 1994

 

KERR CAMERON, David. The English Fair, Sutton Publishing 1998

 

KNIGHT, Julia. Diverse Practices, A critical reader on British video art, Univ. of Luton/ Arts Council of England 1996

KORTIAN, Garbis. Metacritique: The philosophical argument of Jurgen Habermas, Cambridge U.P. 1980

 

KRESS, Gunther & Theo Van Leeuwen. Reading Images: The grammar of visual design, Routledge 1996

 

KRIPPENDORFF, K. Content Analysis, Sage 1990

 

KROPOTKIN, Peter. The Great French Revolution, Schocken Books 1971 orig. 1890

 

KUENZLI, Rudolf E. ed. Dada and Surrealist Film, MIT Press USA 1996 (orig. 1987)

 

KULTERMANN, Udo. Art Events and Happenings, Transl. John William Gabriel, Mathews, Millar Dunbar 1971.

 

LACEY, Suzanne. Ed. Mapping the Terrain: new genre public art, Bay Press San Francisco 1995

 

LAING, Stuart. Representations of Working Class Life 1951-1964, Macmillan 1986

 

LEFEVBRE, Henri. The Production of Space, Transl. Donald Nicholson-Smith, Blackwells Oxford 1991 (1974)

 

LEEDS-HURWITZ,W. & N.J.Hillsdale. Semiotics and Communication: Signs, codes and culture, Lawrence Erlbaum 1993

 

LeGRICE, Malcolm. Abstract Film and Beyond, Studio Vista 1977

 

LEVINE, Lawrence W. Highbrow Lowbrow: The emergence of cultural hierarchy in America, Harvard U.P. USA 1988

 

LOW, Rachael & Roger Manvell. The History of British Film 1896 - 1906, George Allen & Unwin 1973 (orig. 1948)

 

LUPTON, Deborah. The Emotional Self: a socio-cultural exploration, Sage 1998

 

MACABE, Colin. The Eloquence of the Vulgar: Language, cinema and the politics of culture, British Film Institute 1999

 

MacCANNEL, Dean. & Juliet Flower MacCannell. The Time of the Sign, Indiana U.P. 1982

 

MACDONALD, Scott. A Critical Cinema, California U.P. 1988

 

MACDONALD, Scott. A Critical Cinema 2, California U.P. 1992

 

MACDONALD, Scott. Avant Garde Film, Cambridge U.P. 1993

 

MACHRELL, Judith. Out of Line: the story of British New Dance, Dance Books 1992

 

MACPHERSON, Don. ed. Traditions of Independence: British cinema in the thirties, British Film Institute 1980

 

MADISON, Gary B. ed. Working Through Derrida, Northwest U.P. USA 1993

 

MALTBY, Richard. ed. Popular Culture in the Twentieth Century, Grange Books 1994 (orig. 1988)

 

MANDELA, Nelson. Long Walk to Freedom, Little, Brown & Co. London, 1994

 

MARCUS, D.E. & F. MYERS. eds. The Traffic in Culture, California U.P. 1995

 

MARTIN-BARBERO, J. Communication, Culture, Hegemony: from the media to mediation, Verso 1993

 

MASON, J. Qualitative Researching, Sage 1996

 

MASSEY, Anne. The Independent Group: modernism and mass culture in Britain, 1945-59, Manchester U.P. 1995

MAXFORD, Howard. The A-Z of Horror Film, Batsford 1996

McCARTHY, Thomas. The Critical Theory of Jurgen Habermas, Cambridge/ MIT Press, 1978

 

McCORQUODALE, Duncan, et al. Occupational Hazard: Critical Perspectives on Recent British Art, Black Dog Press Leicester 1997

 

McGREW, Anthony. ed.  The Transformation of Democracy: democratic politics in the new world order, Polity Cambridge 1997

 

McGUIGAN, J. Cultural Populism, Routledge 1992

 

MEEHAN, Johanna. Feminists Read Habermas: gendering the subject of discourse, Routledge 1995

 

MEKAS, Jonas.  Movie Journal: the rise of the New American Cinema 1959 - 1971, Collier, N.Y. 1971

 

MELLENCAMP, Patricia. Indiscretions - Avant-Guard Film, Video & Feminism, Indiana U.P. USA 1990

 

MILLER, Daniel. Material Culture: and why some things matter, UCL 1988

 

MILLER, Daniel. ed. Shopping, Routledge 1998

 

MILLS, Sara. Discourse, Routledge 1997

 

MILNER, Andrew. Class, Sage 1999

 

MACEY, David. The Lives of Michel Foucault, Hutchinson 1993

 

MOUNCE, H.O. The Two Pragmatisms, From Pierce to Rorty, Routledge 1997

 

NENCEL,L. & P. Pels. eds. Constructing Knowledge: Authority and critique in the social sciences, Sage 1991

 

MUNT Sally R. ed. Cultural Studies and the Working Class: subject to change, Cassell 2000

 

NIETZSCHE, F. Untimely Meditations, Cambridge U.P. 1983 - 1995

 

NIZNIK, Jozef. & John T. Saunders eds. Debating the State of Philosophy: Habermas, Rorty and Kolakowski, Praeger 1996

 

NUTTAL, Jeff. Bomb Culture, MacGibbon and Kee 1968

 

O'PRAY, Michael. ed. The British Avant-Garde Film: 1926 - 1995, an anthology of writings, Univ.of Luton/ Arts Council of England, 1997

 

OUTHWAITE, William. Habermas: a critical introduction, Polity Press 1994

 

OUTHWAITE, William. ed. Habermas Reader, Polity Press 1996

 

PEOPLES, J. & G.Bailey. Humanity: An introduction to cultural anthropology, West Publ. Minneapolis St Paul USA 1994

 

PHEBY, Keith J. Interventions: Displacing the metaphysical subject, Maisonneuve Press USA 1988

 

PHILLIPS, Andrea. Ed. Out of Time: Hull Time Based Arts 1984 to 1998, H.T.B.A. Hull 1997

 

PERKS, Robert, Oral History: talking about the past, The Historical Association, Kennington, 1995

 

PERNECZKY, Geza. The Magazine Network: the trends of alternative art in the light of their periodicals, 1968 - 1988, Edition Soft Geometry Koln 1993

 

POSTER, Mark. Cyberdemocracy: internet and the public sphere, in David Porter ed. Internet Culture, Routledge NY 1996

 

POTTER, David, David Goldblatt, Margaret Kiloh, and Paul Lewis, eds. Democratization, Polity  Press 1997

 

PRESSLER, Charles A. & Fabio B. Dasilva, Sociology and Interpretation: From Weber to Habermas, N.Y.U.P. 1996

 

PREVOST, Edwin. No Sound is Innocent, Copula, England, 1995

 

PREZIOSI, Donald. The Art of Art History: a critical anthology, Oxford U.P. 1998

 

RABINOW, P. Ed. The Foucault Reader, Pantheon N.Y. 1984

 

REES, A.L. A History of Experimental Film and Video, British Film Institute 1999

 

REHG, William. ed. Insight and Solidarity: discourse and ethics of Jurgen Habermas, California U.P. 1994

 

RENAN, Sheldon. The Underground Film: An Introduction to its development in America, Studio Vista 1968

 

RICHTER, Hans. The Struggle for Film: towards a socially responsible cinema, Transl. Ben Brewster, Wildwood House 1986 (orig. Vienna, 1976)

 

RITVO, Harriet. The Platypus and the Mermaid, and Other Figments of the Classifying Imagination, Harvard U.P. 1997

 

ROBERTS C.H. & T.C. Skeats. The Birth of the Codex, Oxford U.P. 1983

 

ROBBINS, Derek. Bourdieu and Culture, Sage 1999

 

ROBINSON, David et al. eds. Encyclopaedia of the Magic Lantern, The Magic Lantern Society 2000

 

ROBLIN, Ronald. Aesthetics of the Critical Theorists: studies on Benjamin, Adorno, Marcuse and Habermas, Mellen Press, NY USA 1990

 

ROCHON, Thomas R. Culture Moves, Princeton U.P. 1998

 

ROCKMORE, Tom. Habermas on Historical Materialism, Indiana U.P. 1989

 

RODOWICK, D.N. Gilles Deleuze's Time Machine, Duke U.P. 1997

 

ROSALDO, R. Culture and Truth: The remaking of social analysis, Routledge 1993    

 

ROSE, Jonathan. The Intellectual Life of the British Working Classes, Yale U.P. 2001

 

ROSENFELD, Michel & Andrew Arato, ed.  Habermas on Law and Democracy: critical exchanges, California U.P. 1998

 

ROSS, Andrew. No Respect: Intellectuals and Popular Culture, Routledge, 1989

 

SABIN, Roger. Comics, Comix and Graphic Novels: A History of Comic Art, Phaidon 1996

 

SAID, Edward W. Culture and Empire, Vintage, London, 1993

 

SAID, Edward W. Representations of the Intellectual, The 1993 Reith

Lectures, Vintage, 1994

 

SALT, Barry. Film Style and Technology: history and analysis, Starword, 1983.

 

SAMUEL, Raphael & Paul Thompson, eds. The Myths We Live By, Routledge 1990

 

Sanjek, Roger. Fieldnotes: the making of anthropology, Cornell U.P. USA 1990

 

SARGEANT, Jack. Death-Tripping - The Cinema of Transgression, Creation Books, England 1995

 

SARGEANT, Jack. Naked Lens - Beat Cinema, Creation Books England 1997

 

SCOTT, John A. A Matter of Record: Documentary sources in social research, Polity Cambridge 1990

 

SEIDLER, Victor J. Kant, Respect and Injustice: the limits to liberal moral theory, RKP 1986

 

SHOTTER, John. Cultural Politics of Everyday Life,     OUP, Birmingham, 1993

 

SHUSTERMAN, Richard. Pragmatic Aesthetics: Living Beauty, Rethinking Art, Blackwell Oxford 1992

 

SITNEY, Adam P. ed. Film Culture Anthology, Thames & Hudson 1971

 

SITNEY, Adam P. Visionary Film, The American Avante Guard 1943 - 1978, Oxford U.P. 1974 - 79

 

SMITH, D.E. Texts, Facts and Femininity: Exploring the relations of ruling, Routledge 1993

 

SOAR, Geoffrey & David Miller, Interaction and Overlap, Coracle Press 1994

 

SOLOMON, Harry M. The Rise of Robert Dodsey: creating a new age of print, Southern Illinois U.P. 1996

 

SJOBERG, Gideon and Roger Nett. A Methodology for Social Research, Waveland Press Illinois 1997 orig. Harpers and Row 1968

 

SPARKE, Penny. As Long As It's Pink: The sexual politics of taste, Pandora London, 1995

 

Squatting: the real story, Bay Leaf Books 1980

 

STEWART, Alex. The Ethnographer's Method, Sage 1998

 

STITT, Andre. Small Time Life, Black Dog Press Leicester 2001

 

STONE, Barbara. America Goes to the Movies: 100 years of motion picture exhibition, National Association of Theatre Owners USA 1993

STOREY, J. Cultural Theory and Popular Culture, Harvester Wheatsheaf England 1993

 

SWINDAL, James. Reflection Revisited: Jurgen Habermas' discursive theory of truth, Fordham U.P. 1998

 

SZCZELKUN, Stefan. The Conspiracy of Good Taste: William Morris, Cecil Sharp, Clough Williams-Ellis and the repression of working class culture in the 20th century, Working Press 1993

 

TALLACK, Douglas. ed. Critical Theory: a reader,  Harvester/ Wheatsheaf England, 1995

TEUBNER, G. Law as an Autopoietic System, Transl. A. Bankowska and R. Adler, Ed. Z. Bankowski, Oxford U.P. 1993

 

THOMPSON, Dorothy. Outsiders, Class, Gender and Nation, Verso 1993

 

THOMPSON, E.P. Customs in Common, Penguin, 1993 (1991)

 

THOMPSON, E.P. The Making of the English Working Class, Penguin 1991 (Orig. Gollancz 1963)

 

THOMPSON, Paul. The Voice of the Past: Oral history, Oxford U.P. 2nd edition, 1988 (1978)

 

THORNTON, Sarah. Club Culture: music media and sub cultural capital, Polity Press 1995

 

TICH, Mary & Richard Findlater, Little Tich, Giant of the Music Hall, Elm Tree Books 1979

 

TOSH, John. The Pursuit of History, Longman 1991

 

TURNER, Graeme. Film as Social Practice, Routledge 1988

 

TURNER, Richard. In Your Blood: football culture in the late 1980's and early 1990's, Working Press 1990

 

TWITCHELL, James B. Carnival Culture: The trashing of taste in America, Columbia U.P. 1992

 

TYLER, Parker. Underground Film: a critical history, Secker & Warburg 1971 (orig 1969)

 

VAN LEEUWEN, Theo. Speech, Sound, Music, Macmillan 1999

 

VAN LEEUWEN, Theo. & Carey Jewitt. eds. The Handbook of Visual Analysis, Sage 2000

 

VOGEL, Amos. Film as a Subversive Art, Random House 1974

 

WADE, Graham. Street Video, an account of five video groups, Blackthorn Press, Leicester 1980

 

WALKERDINE, Valerie. Daddy's Girl: Young girls and popular culture, Macmillan 1997

 

WALWIN, Jeni. Low Tide: Writing on artistic collaboration, Black Dog, Leicester, 1997

 

WATT, Tessa. Cheap Print and Popular Piety 1550-1640, Cambridge U.P. 1991

 

WEBBER, R. Basic Content Analysis, Sage, Newbury Park, 2nd edition, 1990

 

WESTBROOK, R.B. John Dewey and American Democracy, Ithaca, N.Y. 1991

 

WHITE, Hayden. Tropics of Discourse: essays in cultural criticism, John Hopkins U.P. Baltimore 1985

 

WHITE, Stephen K. The Recent Work of Jurgen Habermas: reason, justice and modernity, Cambridge U.P. 1988

 

WHITE, Stephen K.  Cambridge Companion to Habermas, Cambridge U.P. 1995

 

WHITEHEAD, Fred. Culture Wars: opposing viewpoints, Greenhaven Press, San Diego, USA, 1994

 

WILLIAMS, Christopher. Cinema: the beginnings and the future, Westminster U.P. 1996

 

WILLIAMS, Raymond. What I Came to Say, Hutchinson Radius, London, 1989

 

WILLIAMS, Raymond. Culture and Society: 1780 - 1950, Pelican  1961-75 orig. 1958

 

WILLIAMS, Raymond. Towards 2000, Pelican 1985 (orig 1983)

 

WILLIAMS, Simon. Emotion and Social Theory, Sage 2000

 

WILLIAMSON, Judith. Decoding Advertisements: ideology and meaning in advertising, Marion Boyars 1978

 

WITTGENSTEIN, Ludwig. Zettel, Edited by G.E.M. Amscombe and G.H. von Wright, Transl. G.E.M. Anscombe, (Dual language edition), Basil Blackwell Oxford 1967

 

WITTGENSTEIN, Ludwig. Culture and Value, Blackwells 1980

 

WOLF, Eric R. Europe and the People Without History, University of California Press Berkeley 1982

 

WOLLEN, Peter. Signs and Meaning in the Cinema, Secker & Warburg/ British Film Institute 1969

 

WOLLEN, Peter. Readings and Writings, Verso 1982

 

Womens's Work: two years in the life of a women artists group, Women's Work, Brixton, 1986

 

WORSLEY, Peter. The Trumpet Shall Sound: A study of 'Cargo' cults in Melanesia, Mackibbon & Kee, London, 2nd Edition 1968 (1957)

 

WORSLEY, Peter. Knowledges: What different peoples make of the world, Profile Books 1997

 

WRIGHT D.G. Popular Radicalism: the working class experience 1780-1880, Longman 1988

 

WUTHNOW, Robert et al. Cultural Analysis: The work of Peter L. Berger, Mary Douglas, Michael Foucault and Jurgen Habermas, Routledge 1984

 

YOUNGBLOOD, Gene. Expanded Cinema, Dutton, USA, 1970

 

ZAVARZADEH, Mas'ud.  Pun(k) deconstruction, post-theory and ludic politics,  Maisonneuve Press USA 1994

 

ZIMMERMAN, Patricia R. Reel Families: A social history of amateur film, Indiana U.P. 1995

 

ZIZEK, Slovoj. Looking Away: Jacques Lacan and popular culture, M.I.T. USA 1992-97

 

 

 

 

 

2. ARTICLES IN JOURNALS, CHAPTERS IN BOOKS, THESII, ETC.

 

'25 Years from Scratch' (programme) ICA London 20th November 1994

 

'ALBANY VIDEO Distribution Catalogue', Deptford, London, 1986

 

ANDERSON, Virginia. 'British Experimental Music: Cornelius Cardew and his contemporaries', MA Thesis August 1983 (now republished www.experimentalmusic.co.uk)

 

BARN, S. 'The Sense of the Past: image, text and object in the formation of historical consciousness in nineteenth century Britain', in H.A. Veeser ed. The New Historicism, Routledge, London, 1989

 

BERKO, Lili. 'Surveying the Surveilled: video, space and subjectivity', Quarterly Review of Film and Video (V 14 July 1992 pp61-91)

 

BLEWITT, John. 'Film, Ideology and Bourdieu's Critique of Public Taste', British Journal of Aesthetics (V 33 No4 October 1993)

 

BOURDIEU, Pierre. 'The Purpose of Reflexive Sociology (The Chicago workshop)' in, P. Bourdieu and L.J. Wacquant, eds. An Invitation to Reflexive Sociology, Polity 1992

 

CANYON CINEMA, Catalog 7, San Francisco, USA, 1992

 

CHRISTIE, Ian. 'French Avant-Garde Film in the Twenties: From specificity to surrealism' in, Film As Film: formal experiment in film 1910-1975, Arts Council of GB/ Hayward Gallery 1979

 

CLAID, Emilyn. 'Yes, No, Maybe: the practice of illusion in dance theatre performance', PhD Thesis, University of Surrey, 1998

 

COLLINS, Richard. 'Public service versus the market ten years on: reflections on critical theory and the debate on broadcasting policy in the UK', Screen (V 34 Autumn 1993 pp243-59) London

 

CORVIN, Anne-Marie. 'Pause for Thought', (on home video), Creation magazine (Dec 1997/ Jan 1998)

 

CURTIS, Dave. 'A Tale of Two Co-ops', in David E. James, To Free the Cinema, Princeton UP 1992

 

DAHMS, Harry F. 'Theory in Weberian Marxism: patterns of Critical Social Theory in Lukacs and Habermas' Sociological Theory (V15 (3) 1997 pp181 - 214)

 

DEACON, David, Alan Brymann and Natalie Fenton, 'Collision or Collusion?: a discussion and case history of the unplanned triangulation of quantitative and qualitative research methods', The International Journal of Social Research Methodology, Theory and Practice, (V1 No1 January - March 1998 p47)

 

DEREN, Maya. 'Amateur Versus Professional', Film Culture (v39, Winter 1965 p45)

 

DERRIDA, Jaques. 'Archive Fever: a Freudian impression', Diacritics (Summer 1995)

 

DUPRE, Francoise. 'Brixton Artists Collective', m/s 6 pp. paper given at London Creative Chaos Conference, Museum of London, October 1997

 

FIELDING. N, 'Ethnography' in, N. Gilbert, ed. Researching Social Life, Sage 1993.

 

FONTANA, A. 'Ethnographic Trends in the Postmodern Era' in, D.R. Dickens and A. Fontana, eds. Postmodernism and Social Enquiry, UCL Press 1994

 

FOUCAULT, Michel. 'Nietzsche, Genealogy, History' in, P. Rabinow ed. The Foucault Reader, Penguin 1986

 

FRAYLING, Christopher. 'Research in Art and Design', Vol 1 No1 Royal College of Art, London, 1994/5

 

FULLER, Mathew. 'Now Make a Film! The Exploding Cinema', The American Book Review, (V 16 No 5 Feb 1995 p7)

 

GOMES, Maryanne. 'The Past As Present: the home movie as cinema of record', m/s 1997

 

HABERMAS, Jurgen. 'Hannah Arendt: On the concept of power' in, Habermas, Philosophical Political Profiles, Transl. F.G. Lawrence, Cambridge, MA USA 1985

 

HABERMAS, Jurgen. 'An Intersubjectivist Concept of Individuality', Journal of Chinese Philosophy, Honolulu, HI(JChinP) (1991 June V18:2 pp133-41)

 

HABERMAS, Jurgen. 'From Kant to Hegel: On Robert Brandom's Pragmatic Philosophy of Language', in European Journal of Philosophy (V 8, No 3 December 2000 pp322-355)

 

HABERMAS, Jurgen. 'Actions, Speech Acts, Liguistically Mediated Interactions and the Lifeworld', in, G. Foistad, ed. Philosophical Problems Today (V 1 Willard V. Quine, Boston 1994)

 

HABERMAS, Jurgen. 'Why Europe Needs a Constitution', New Left Review (11 Sept - Oct 2001)

 

HALL, Stuart. 'Popular democratic vs authoritarian populism: two ways of 'taking democracy seriously' in, Stuart Hall, ed. The Hard Road to Renewal, Verso 1988

 

HASKELL,Lisa. 'Independent Media in the UK', (electronic paper) from http://www.desk.nl/~nettime, Independent Media Magazine 1997/98

 

HEBDIGE, Dick. 'From Culture to Hegemony' in, S. During, ed. The Cultural Studies Reader, Routledge 1993

HELLER, Agnes. 'Habermas and Marxism' in, John B. Thompson and David Held eds. Habermas: Critical Debates, Macmillan 1982

 

HOHENDAHL, Peter Uwe. 'Recasting the public sphere (post-war Germany and the depoliticisation of public forms of discourse in modern society)', October (No73 Summer 1995 pp 27-54) Cambridge, Mass.

 

KESTER, Grant H. Discursive Aesthetics: a critical framework for littoral art, m/s 1998

 

LEGRICE, Malcolm. 'Towards a Temporary Economy', Screen (V 20 Nos 3/4 Winter 1979/80)

 

LI, Victor.  'Habermas and the Ethnocentric Discourse of Modernity' in, Kreiswirth & Carmichael, eds. Constructive Criticism: the human sciences in the age of theory, Toronto U.P. 1995

 

MAY, Tim. 'Reflexivity in the Age of Reconstructive Social Science', International Journal of Social Research Methodology (V 1 No 1 January - March 1998)

 

MEKAS, Jonas. 'Anti-100 years of cinema manifesto' a large format 8 page artist's magazine published by Agnes B. Paris 1996

 

MIKULAK, Bill. 'Mickey Meets Mondrian: cartoons enter the Museum of Modern Art' in Cinema Journal (V36:3  Spring 1997  pp 56 - 72)

 

MUMBY, Dennis K. 'Two Discourses on Communication Power and the Subject: Jurgen Habermas and Michel Foucault' in, George Levine, ed. Constructions of the Self, Rutgers UP, New Brunswick, NJ, USA, 1992

 

NORRIS, Christopher. 'Deconstruction, Postmodernism and Philosophy: Habermas on Derrida' in, David Wood, Derrida: a critical reader, Blackwells, Oxford, 1992

 

NOYS, Benjamin. 'Communicative Unreason: Bataille and Habermas', Theory Culture and Society (1997 V14:1 pp59-75)

 

PAYNE, Paddy. 'Obituary: Exploding Cinema 1991 ▄ 1994', Kinokaze, Report from the Underground, (Issue 3 1995)

 

PICTON, Tom. 'Two-way mirror (on video)' in, Godfrey Boyle & Peter Harper eds. Radical Technology, Wildwood 1976

 

PIERCE, C.S. 'Logic as Semiotic: The theory of signs' in, J. Buhler, ed. Philosophical Writings of Pierce, Dover, N.Y. 1955

 

PORTELLI, Alessandro. 'The Peculiarities of Oral History' in, History Workshop (V12 Autumn 1981)

 

POSTER, Mark. 'Postmodernity and the Politics of Multiculturalism: The Lyotard-Habermas debate over social theory', Modern Fiction Studies, MD, Baltimore, USA, (1992 Fall V38:3 pp567-80)

 

REES, A.L. 'Conditions of Illusionism', Screen, (V18 No3 Autumn 1977)

 

REHG, William. 'Reason and Rhetoric in Habermas's Theory of Argumentation' in, Jost & Hyde eds. Hermeneutics in Our Time: a reader, Yale U.P. USA 1997

 

ROUANE, Donal. Kinokaze: Report from the Underground, Issue 1, c1992; Issue 2, c1993; Issue 3, 1995; Issue 4, 1997

 

ROBERTS, Patricia. 'Habermas' Varieties of Communicative Action: controversy without combat', JAC: a journal of Composition theory, (Fall 1997 11:2 409-24) University of South Florida, www.cas.usf.edu/JAC

 

RORTY, Richard. 'Habermas and Lyotard on Postmodernity' in, Ingeborg Hoesterey ed. Zeitgeist in Babel: the postmodernist controversy, Indiana U.P. 1991

 

RORTY, Richard. 'The Priority of Democracy to Philosophy' in, R. Rorty, Objectivity, Relativism and Truth,  Cambridge U.P. 1991

 

SANJEK, R. 'On Ethnographic Validity' in, R. Sanjek (Ed.), Fieldnotes: the makings of an anthropology, Cornell U.P. NY 1990

 

SEAGO, Alex. 'Research Methods for MPhil and PhD students in Art and Design: Contrasts and conflicts', Royal College of Art Research Papers, Vol.1 No.3, Royal College of Art, London, 1994/5

 

SEYMOUR, Benedict. 'The Last Picture Show', Mute magazine, (Issue 22, December 2001 pp12/13)

 

SHUSTERMAN, Richard. 'Postmodernism and the Aesthetic Turn,' Poetics Today (V10 1989 605-622).

 

SHUSTERMAN, Richard. 'Of the Scandal of Taste: Social Privilege as Nature in the Aesthetic Theories of Hume and Kant,' Philosophical Forum, (V29 1989 211-229).

 

SHUSTERMAN, Richard. 'Don't Believe the Hype: Animadversions on the Critique of Popular Art,' Poetics Today (V14 1993)

 

SIPE, Dan. 'The future of oral history and moving images' in, Robert Perks & Alastair Thompson, eds. The Oral History Reader, Routledge 1997

 

SKEET, Jason & Mark Pawson. 'Counter Intelligence: Zines, comics, pamphlets, flyers, a catalogue of self-published and autonomous print creations', BM JED WC1N 3XX 1995

 

SILVERMAN,D. 'Towards an Aesthetics of Research', in, D. Silverman, ed. Qualitative Research: Theory, method and practice, Sage 1997

 

SLATER, Howard. 'Post Media Operators', Break/Flow, 28.01.97

 

SLATER, Howard. 'Canon blasting for a living culture', Resonance magazine (Vol 8 No 1 London 2000)

 

SNIPE, Dan. 'The Future of Oral History and Moving Images', Oral History Review, (Spring/fall 1991 vol. 19 nos. 1/2 pp75 - 87)

 

SUTHERLAND, Roger. 'The Death of the Scratch Orchestra'. Noisegate (No 8 2001 pp7 - 14)

 

SUTHERLAND, Roger. 'The Death of the Scratch Orchestra: a personal account'. Noisegate (No 8 2001 pp7 - 12)

 

SZCZELKUN, Stefan.'Sharsted Street Self-Build Housing Co-op', Variant, Issue 2 1997

 

SZCZELKUN, Stefan 'The Heart of the Matter: Diana, democracy and popular culture', Stefan Szczelkun, Working Press pamphlet 1997

 

SZCZELKUN, Stefan. Kennington Park: Birthplace of people's democracy, Working Press Pamphlet, Kennington, London, 1998

 

SZCZELKUN, Stefan.'Working Press 1987-1997: ten years of an umbrella imprint for working class artists who wished to self-publish', El Djarida (No 14, Oslo, Spring 1998)

 

SZCZELKUN, Stefan. 'The Value of Home Movies', Oral History Society Journal, Autumn 2000 (V28 No 2 pp94/98)

 

SZCZELKUN, Stefan. 'The Scratch Orchestra', Noisegate (No 9 2002 p36)

 

TARRAGO, Paul. 'The Condition of Celebrity: film, audiences and fame'. Goldsmiths College. MRes Thesis. Sept.1996

 

THOMSETT, Fabian. 'Exploding Cinema', in Transgressions, a Journal of Urban Exploration, (No 1 Univ. of Newcastle Summer 1995)

 

TLATLI, Soraya. 'The Intoxication of the Avant Garde in Benjamin and Habermas' in, Stephen Barker ed. Signs of Change: Premodern, Modern, Postmodern, State Univ. of New York Press 1996

 

VAN LEEUWEN, Theo. 'Moving English: the visual language of film' in, S. Goochan & D. Graddol. Eds. Redesigning English: new texts, new identities, Routledge 1996

 

VIDICH, A.J. & S.M. Lyman. 'Qualitative Methods: Their history in sociology and anthropology' in, N.K. Denzin & Y.S. Lincoln, eds. Handbook of Qualitative Research, Sage 1994

 

VISKER, R. 'Habermas on Heideger and Foucault: meaning and validity in the philosophical discourse of modernity', Radical Philosophy (V61 1992 pp15 - 22)

 

WARD, Frazer. 'The Haunted Museum: institutional critique and publicity (historical and neo avant garde art, and its relations with museums as forms of public discourse)', October USA (No73 Summer 1995, pp 71-89) Cambridge, Mass.

 

WELBERY, David E. 'Nietzsche - Art - Postmodernism: a reply to Jurgen Habermas', Stanford Italian Review, USA (V6:1-2 1986 pp77-100)

 

WELLMER, A. 'Hannah Arendt on Judgement: the unwritten doctrine of reason' in, L. May and J. Kohn, eds. Hannah Arendt: twenty years later, Cambridge, Mass. 1996

 

WELLS, Susan. 'Differentiated Reason and Derationalised Science', Criticism: a quarterly for literature and art, Detroit, USA, (Fall V 29:4 1987 pp497-525)

 

WHITE, Hayden. 'The Value of Narraticity in the Representation of the Real' in, W.J.T. Mitchell, ed. On Narrative, Chicago U.P. 1981

 

WHITEHEAD, Fred. 'David Hume's Concept of Benevolence: a chapter in the history of ethical theory, with applications to medicine', m/s 1998

 

WILLIAMSON, Judith. 'Meaning and Ideology', in A. Gray & J. McGuigan, eds. Studying Culture: an introductory reader, Edward Arnold, London, 1993

 

WINSLOW, Michelle. 'Polish Migration to Britain: war, exile and mental health', Oral History Journal (V27 Spring 1999)

 

WYNNE, B. 'May the sheep safely graze? A reflexive view of the expert - lay knowledge divide', in S. Lash, B. Szerszynski and B. Wynne, eds. Risk, Environment and modernity: Towards a new ecology, Sage 1996

 

 

 

 

 

3. VIDEOS, WEBSITES AND OTHER MEDIA.

 

BAILEY, Fenton & Randy Barbito.  Dirs. Videos, Vigilantes and Voyeurism, 60mins, CH4, 19-9-93

 

www.explodingcinema.org

 

'A History of Alternative Comedy', (BBC2 6-4-02 R) 90 mins

 

History in Action: The Home Front through Home Movies (video) CH4 Schools, 1998

 

HOW, Loo. Dir. How to Be a Successful Spectator, How, London, 1994 (Documentary on ExC)

 

MARTIN, Adrian. 'Light My Face: the geology and geography of film canons' in, Senses of Cinema Issue 14 June 2001  (www.senseofcinema.com)

 

www.undercurrents.org

 

www.undergroundfilm.com

 

ZWIGOFF, Terry. 'Crumb' Robert Crumb documentary, Columbia Tristar 1995

 

 

 

 

Stefan Szczelkun  2002