Bibliography

In three parts: 1. Books; 2. Articles in Journals, chapters in books, etc; 3. Videos and other media.

Please Note: All books published in London unless noted as elsewhere.

1. BOOKS

ADAIR, Christie. Women & Dance, The Macmillan Press 1992

ADONIS, Andrew. & Stephen Pollard. A Class Act: The myth of Britain's classless society, Hamish Hamilton 1997

ADORNO, Theodor & Max Horkheimer. Dialectics of Enlightenment, Verso 1997 (orig. 1944)

ADORNO, Theodor. Minima Moralia: reflections from damaged life, Transl. E.F.N.Jephcott, Verso 1978 (orig. Frankfurt, 1951)

AGAR, Michael H. The Professional Stranger: an informal introduction to ethnography, Academic Press, second edition, 1996 (orig. 1980)

ALASUTARI, Perti. Researching Culture: qualitative method and cultural studies, Sage 1995 (orig. Finland 1993).

ALCOFF, L. & E.Potter. eds. Feminist Epistemologies, Routledge 1993

ALVESSON, Mats & Kaj Skoldberg. Reflexive Methodology: new vistas for qualitative research, Sage 2000

ALWAY, Joan. Critical Theory and Political Possibilities: conceptions of emancipatory politics in the works of Horkheimer, Adorno, Marcuse and Habermas, Greenwood Press 1995

ANDERSON, Benedict. Imagined Communities: Reflections on the origin and spread of nationalism, Verso 1983

ANDERSON, Perry. Considerations on Western Marxism, Verso 1979

ANON. Cultures of Resistance, rachred57@hotmail.com, , 2000 (Unpaginated, perfect bound pbk c96pp, no publisher given, printed by The Book Factory, London.)

ANTLIFF, Allan. Anarchist Modernism: art, politics and the First American Avant-garde, University of Chicago Press 2001

ALVESSON, Mats & Kaj Skoldberg. Reflexive Methodology: new vistas for qualitative research, Sage 2000

ARBLASTER, Anthony. Democracy, second edition, OUP 1996 (orig. 1994)

ARENS, Edmund. Logic of Pragmatic Thinking: from Pierce to Habermas, Transl. David Smith, Humanities Press USA, 1993

ARONOWITZ, Stanley. Dead Artists Live Theories and other cultural problems, Routledge 1994

ASHENDEN, Samantha. & David Owen. Foucault Contra Habermas: recasting the dialogue between Genealogy and Critical Theory, Sage 1999

ASSOCIATION EUROPEENNE INEDITS, Jubilee Book: essays on amateur film, A.E.I. Belgium, 1997

BAKER, Houston A. Jr. Rap and the Academy, Chicago U.P. 1993

BAILEY, Peter. ed. Music Hall: The business of pleasure, OUP, Milton Keynes 1986

BARLOW H.B. & J.D. Mollon. Eds. The Senses, Cambridge U.P. 1982

BARTHES, Roland. Image - Music - Text, Fontana, Glasgow, 1977 (orig. 1961)

BARTHES, Roland. The Semiotic Challenge, California U.P., USA 1994

BATTCOCK, Gregory. Ed. The New American Cinema, Dutton, New York 1967

BAUDRILLARD, Jean. Symbolic Exchange and Death, Transl. Iain Grant, Sage 1993

BAUMAN, Zygmund. Globalisation, Polity, Cambridge 1998

BAYNES, Kenneth. Normative Grounds of Social Criticism: Kant, Rawls and Habermas, New York U.P. 1991

BECK, Ulricke, Democracy Without Enemies, Tranls. Mark Ritter, Polity Press 1998

BELGRAD, Daniel. The Culture of Spontaneity, improvisation and the Arts in Postwar America, Chicago U.P. 1998

BENJAMIN, Andrew. ed. The Problems of Modernity: Adorno and Benjamin, Routledge 1989

BENJAMIN, Andrew. Judging Lyotard, Routledge 1992

BENJAMIN, Walter. Illuminations, Transl. Harry Zohn. Fontana 1973-77 (orig. Frankfurt 1955)

BENHABIB, Seyla. Wolfgang BonB and John McCole, eds. On Max Horkheimer: new perspectives, MIT Press 1993

BENNETT, Tony. The Birth of the Museum: History, theory, politics, Routledge 1995

BENNETT, Tony. Culture: a reformers science, Sage 1998 (orig 1981)

BERGER, A.A. Media Research Techniques, Sage California 1991

BERNAUER, James, & David Rasmussen. eds. The Final Foucault, MIT 1988

BIGNELL, J. Media Semiotics: An introduction, Manchester U.P. 1997

BERNSTEIN, J.M. Recovering Ethical Life: Jurgen Habermas and the future of critical theory. Routledge 1994

BERNSTEIN, R. ed. Habermas and Modernity, Polity/MIT 1992

BEST, Steven. Politics of Historical Vision: Marx, Foucault, Habermas, Guildford Press USA 1996

BLACKBURN, Julia. The White Men: the first response of aboriginal peoples to the white man, Orbis 1979

BLAUG, Ricardo. Democracy Real and Ideal: discourse ethics and radical politics, New York U.P. 1999

BOAL, Augusto. Legislative Theatre: using performance to make politics, tranl. Adrian Jackson. Routledge 1998

BOOKCHIN, Murray. The Third Revolution: popular movements in the revolutionary era Vol.1, Cassell 1996

BOURDIEU, Pierre. Distinction, a social critique of the Judement of Taste, Transl. Richard Nice, Routledge 1984-89 (orig. Paris 1979)

BOURDIEU, Pierre. Homo Academicus, Transl. Peter Collier, Stanford U.P. USA (& Polity Press, Cambridge) 1988 (orig. Paris 1984)

BOURDIEU, Pierre. The Field of Cultural Production: essays on art and photography, Columbia U.P. 1993

BOURDIEU, Pierre. The Rules of Art, Genesis and structure of the literary field, Transl. Susan Emamel, Polity Press, Cambridge 1996 (orig. Paris 1992)

BOURDIEU, Pierre. Méditations Pascaliennes Paris, Éd. du Seuil, 1997

BOYES, Georgina. The Imagined Village: culture ideology and the English Folk Revival, Manchester U.P. 1993

BOYLE, Deirdre. Subject to Change: Guerilla television revisited, Oxford U.P. 1997

BRAATEN, Jane. Habermas's Critical Theory of Society. New York U.P. 1991

BRATTON, J.S. Music Hall: performance & style, OUP, Milton Keynes 1986

BREAKWELL, Ian. Diaries, Pluto Press 1986

BREAKWELL, Ian & Paul Hammond. eds. Seeing in the Dark: a compendium of cinemagoing, Serpents Tail 1990

BREAKWELL, Ian. Derby Days, R.G.A.P. Derby 2001

BRETT, Guy. Through Our Own Eyes: popular art and modern history, G.M.P. 1986

BRETT, Guy. Exploding Galaxies: the art of David Medalla, Kala Press 1995

BRETTELL, Richard. Modern art, Capitalism and Representations 1851 - 1929, Oxford U.P. 1999

BREWSTER, Ben & Lea Jacobs. Theatre to Cinema: stage pictorialism and the early feature film, Oxford U.P. 1997

BROCKMAN, John & Ed Rosenfeld. Real Time: a catalogue of ideas and information, Picador 1973

BRUYN, Severyn T. The Human Perspective in Sociology: the methodology of participant observation, Prentice Hall, USA 1966

BRYMANN, A. Quantity and Quality in Social Research, Routledge 1988

BURCH, Noel. Life to Those Shadows, British Film Institute 1990.

BURROUGHS, William, Gregory Corso, Brion Gysin & Sinclair Beiles. Minutes to Go, Beach Books, California 1968

BURTON, Alan. The People's Cinema: film and the Co-operative Movement, National Film Theatre, 1994

BURZINYNSKI, Tadeus & Zbigniew Osinski. Grotowski's Laboratory, Interpress, Warsaw 1979

CALHOUN, C. Critical Social Theory: culture, history and the challenge of difference, Blackwells 1995

CARDEW, Cornelius. Stockhausen Serves Imperialism, Latimer, 1974

CAREY, John. The Intellectuals and the Masses, Pride and Prejudice amongst the Literary Intelligensia 1880 - 1939, Faber & Faber 1992

CARSON John & Susannah Silver. Eds. Out of the Bubble: approaches to 'Contextual Practice' within Fine Art education, The London Institute 2000

CAYGILL, Howard. The Art of Judgement, Blackwells 1989

CAYGILL, Howard. Walter Benjamin: The colour of experience, Routledge 1998

CEPLAIR, Larry & Steven Englund. The Inquisition in Hollywood: politics in the film community 1930-1960, Berkeley 1983

CHAMBERS, Simone. Reasonable Democracy: Jurgen Habermas and the politics of discourse, Cornell U.P. 1996

CHANAN, Michael. The Dream that Kicks: The prehistory and early years of cinema in Britain, Routledge, 2^nd edition 1996 (orig. 1980)

CHRISTIE, Ian. The Last Machine: early cinema and the birth of the modern world. London: BBC 1994

CLIFFORD, J. The Predicament of Culture, Harvard U.P. Boston 1988

CLIFFORD, J. & MARCUS G. Eds. Writing Culture: The poetics and politics of ethnography, California U.P. Berkeley 1986

COATES, Ken & Anthony Topham. eds. Industrial Democracy in Great Britain: a book of readings and witnesses for workers control, MacGibbon and Kee 1968

COBLEY, Paul. ed. The Communication Theory Reader, Routledge 1996

COHEN-CRUZ, Jan. Radical Street Performance: an international anthology, Routledge 1998

COLLINSON, Patrick. From Iconoclasm to iconophobia: the cultural importance of the Second English Reformation. Stenton Lecture 1985 (Reading U.P. 1986)

Contemporary Polish Artists in Great Britain, Association of Polish Artists, 1983

COOKE, Maeve. Language and Reason: A study of Habermas's pragmatics, MIT 1994 - 97

COULDRY, Nick. Inside Culture: re-imagining the method of cultural studies, Sage 2000

CUBITT, Sean. Timeshift - On Video Culture, Routledge 1991

CURTIS, Dave. Experimental Cinema, Studio Vista 1971

CURTIS, Dave. ed. A Directory of British Film and Video Artists, Arts Council of England/ University of Luton 1996

CUTTS, Simon & Erica van Horn, The Artist Publisher: a survey by Coracle Press 1986

DANTO, Arthur C. Beyond the Brillo Box: The visual arts in post-historical perspective, Farrar, Straus, Giroux New York 1992

DAVID, James E. Allegories of Cinema: American film in the sixties, Princeton U.P. USA 1989

D'ENTREVES, Maurizio Passerin. & Seyla Benhabib, eds. Habermas and the Unfinished Project of Modernity: critical essays on The Philosophical Discourse of Modernity, Polity Press 1996

DELEUZE, Gilles. Tranl. Hugh Tomlinson, Nietzsche & Philosophy, Althone Press, 1996 (orig. France 1962),

DELEUSE, Gilles & Felix Guattari, On the Line, Transl. John Johnston, Semiotext(e) USA 1983

DEFLEM, Mathieu. ed. Habermas, Modernity and Law, Sage 1996

DENIZEN, Norman K. Interpetive Ethnography, Sage 1997

DEWS, Peter. ed. Autonomy & Solidarity: interviews with Jurgen Habermas, Verso 1992

DEWEY, John. Art as Experience, Perigee USA 1980 (orig 1934)

DEWEY, John. Freedom and Culture, Prometheus Books, USA, 1989

DEWEY, John. Experience and Nature, Dover, USA 1958 (orig.1929)

DICKSON, Malcolm. ed. Art With People, AN Publications, Newcastle, 1995

DIXON, Robert. The Baumgarten Corruption: from sense to nonsense in art and philosophy, Pluto, 1995

DIXON, W.W. Exploding Eye, S.U.N.Y. 1997

DOCHERTY, David, David Morrison and Michael Tracey, The Last Picture Show? Britain's changing film audiences, British Film Institute 1987

DOYLE McCARTHY, E. Knowledge as Culture: The new sociology of knowledge, Routledge 1996

DREYFUS, Paul & Paul Rabinow, Michel Foucault: Beyond Structuralism and Hermeneutics, University of Chicago (& Harvester Wheatsheaf UK) 1983

DUNCAN, Carol. Civilising Rituals: inside public art museums, Routledge 1996

DUNCOMBE, Stephen. Notes from Underground: Zines and the politics of alternative culture, Verso 1997

DUSINBERG, Deke & A.L. Rees. eds. Film as Film: Formal experiment in film 1910 - 1975, Arts Council of GB/ Hayward Gallery 1979

DUSINBERG, Deke. English Avant Guard Film: an early chronology, (m/s available at British Film Institute library) c1980s

DWOSKIN, Stephen. Film Is: The International Free Cinema, Overlook Press, N.Y. 1975

EAGLETON, Terry. The Idea of Culture, Blackwell 2000

ECO, Umberto. A Theory of Semiotics, Indiana U.P. USA 1976

ELIAS, Norbert. The Court Society, Transl. Edmund Jephcott, Blackwells 1983

EMMISON, M. & P. SMITH, eds. Researching the Visual, Sage 2000

EHRENREICH, Barbara & Diedre English. Witches, Midwives and Nurses: a history of women healers, Writers and Readers Publishing Co-op 1973

EVANS, Jessica & Stuart Hall, Eds. Visual Culture, Sage/OUP 1999

FAIRCLOUGH, N. Discourse and Social Change, Polity Oxford 1992

FALZON, Christopher. Foucault and Social Dialogue: beyond fragmentation, Routledge 1998

FANON, Frantz. The Wretched of the Earth, Penguin 1967 - 90 (orig. France 1961)

FERRELL, Jeff. Crimes of Style: urban graffiti and the politics of criminality, North Eastern U.P. Boston, USA 1996 (1993)

FEBVRE, Lucien & Herni Jean Martin. The Coming of the Book: the impact of printing 1450-1800', Verso 1990 orig. Paris 1958

FISH, Charles. Blue Ribbons and Burlesque: a book of country fairs, The Countryman Press, Woodstock, Vermont 1998

FLEMING, Marie. Emancipation and Illusion: rationality and gender in Habermas's theory of modernity, Penn. State U.P. 1997

FORGACS, D. ed. Antonio Gramsci: selections from cultural writings, Lawrence & Wishart 1985

FOUCAULT, Michel. The Order of Things: an archaeology of the human sciences, Tavistock 1970

FOUCAULT, Michel. The Archaeology of Knowledge, Routledge 1989-97, (orig. Paris 1969)

FOUCAULT, Michel. Power/Knowledge: selected Interviews and other writings 1972 - 1977, ed. C. Gordon, Pantheon Books N.Y. 1980

FRANKEL, Ellen & Paul. eds. Democracy, Cambridge U.P. 2000.

FREEMAN, Jo. & Cathy Levine. Untying the Knot: feminism, anarchism & organisation, Dark Star/ Rebel Press 1985 (reprints of texts from early 1970s)

FROST, Christopher. & Rebecca Bell-Metereau, Simone Weil: On politics, religion and society, Sage 1998

GARFINKEL, Harold. Studies in Ethnomethodology, Prentice-Hall USA 1967

GEERTZ, Clifford. The Interpretation of Cultures, Basic Books N.Y. 1973

GEERTZ, Clifford. Local Knowledge, Basic Books N.Y. 1983

GENOSKO, Gary. Undisciplined Theory, Sage 1998

GIDALS, Peter. ed. Structural Film Anthology, British Film Institute 1976

GIDALS, Peter. Structuralist Film, Routledge 1989

GINSBURG, Carlo. The Cheese and the Worms: The cosmos of a sixteenth century miller, Pelican 1980

GOLDBERG, Rosalee. Performance: live art 1909 to the present, Thames & Hudson 1979

GOODY, Jack. The Interface between the Written and the Oral, Cambridge U.P. 1987 - 93

GOODY, Jack. Representations and Contradictions: ambivalence towards images, theatre, fiction, relics, sexuality. Blackwells 1997

GORMAN, Clem. People Together: a guide to communal living, Paladin 1975

GOULDNER, Alvin. The Coming Crisis of Western Sociology, Heinemann 1971

GREGORY, Chris. Be Seeing You: Decoding The Prisoner, Univ. of Luton 1997

GREEN, Jonathan. Days in the Life: Voices from the English Underground 1961 - 1971, Pimlico 1998 (orig. Heinmann 1988)

GRONOW, Jukka. Sociology of Taste, Routledge 1997

GUATTARI, Felix. Chaosmosis, an ethico-aesthetic paradigm, Transl. Paul Bains & Julian Pefanis, Power Publ. Sydney 1995 (orig. Paris 1992)

GUILLORY, John. Cultural Capital: the problem of literary canon formation, Chicago U.P. 1993

GUPTA, Akhil. & James Ferguson. eds. Culture, Power, Place: explorations in critical anthropology, Waybe State U.P. Detroit USA 1997

HABERMAS, Jurgen. Knowledge and Human Interests, Heinmann 1972

HABERMAS, Jurgen. Theory and Practice, Beacon Press, 1974 (orig. 1971)

HABERMAS, Jurgen. Communication and the Evolution of Society, Transl. T.McCarthy, Polity Press 1991 (orig. USA 1979)

HABERMAS, Jurgen. The Theory of Communicative Action, Vol. 1, Reason and the Rationalisation of Society, Transl. Thomas McCarthy, Polity 1986 (orig. Frankfurt 1981)

HABERMAS, Jurgen. The Theory of Communicative Action, Vol. 2, Lifeworld and system: a critique of Functionalist Reason, Transl. Thomas McCarthy, Polity 1989 Paperback edition (orig. Frankfurt 1981)

HABERMAS, Jurgen. The Philosophical Discourse of Modernity: twelve lectures, Transl. Frederick G. Lawrence, Polity 1990 (orig. Frankfurt 1985)

HABERMAS, Jurgen. Postmetaphysical Thinking: Philosophical essays, MIT Press USA 1992

HABERMAS, Jurgen. Between Facts and Norms: Contributions to a discourse theory of Law and Democracy, Transl. William Rehg, Polity Cambridge 1996 (orig. Frankfurt 1992)

HABERMAS, Jurgen. Structural Transformation of the Public Sphere: inquiry into a category of Bourgeois society, MIT 1991

HABERMAS, Jurgen. New Conservatism: cultural criticism and the historians, Transl. Shierry W. Nicholson, Polity 1994 (orig transl. 1989)

HABERMAS, Jurgen. & Christian Lenhardt. Moral Consciousness and Communicative Action, Polity Press 1992

HABERMAS, Jurgen. Justification and Application: remarks on discourse ethics, Polity Press 1993

HABERMAS, Jurgen. Post-Metaphysical Thinking: between metaphysics and the critique of reason, Polity Press 1994

HABERMAS, Jurgen. Past as Future, Transl. Max Pensky. Polity Press 1994

HABERMAS, Jurgen. The Inclusion of the Other: studies in political theory, eds. Ciaran Cronin & Pablo De Greiff, Polity Press 1999 (orig. 1996)

HABERMAS, Jurgen. On the Pragmatics of Communication, Polity Press 1999

HABERMAS, Jurgen. The Postnational Constellation: Political Essays, trans, ed. and with an introduction by Max Pensky, MIT Press 2001

HABERMAS, Jurgen. On the Pragmatics of Social Interaction: Preliminary Studies in the Theory of Communicative Action, trans. by Barbara Fultner, MIT Press 2001

HABERMAS, Jurgen. The Liberating Power of Symbols: Philosophical Essays, MIT Press 2001

HACKER, Ken L. ed. Digital Democracy, Sage 2000

HAMMERSLEY, M. & P. Atkinson, Ethnography, Routledge 1995

HANDY, Charles. Understanding Organisations, Penguin, 1993

HARDING, Colin & Brian Lewis. eds. Talking Pictures: The popular experience of cinema, Yorkshire Arts Circus Sheffield 1993

HARDING, Colin & Simon Popple. Eds. In the Kingdom of Shadows: a companion to early cinema, Cygnus Arts 1996

HARDING, Sandra. Whose Science? Whose Knowledge? Thinking from Women's Lives, O.U.P. Milton Keynes 1991

HARRINGTON, Austin. Hermeneutic Dialogue & Social Science, Routledge 2001

HARRIS, D. From class struggle to the politics of pleasure: The effects of Gramscianism on cultural studies, Routledge 1992

HARRIS, Roy. The Origin of Writing, Duckworth 1986

HARPER, Sue. & Vincent Porter. Weeping in the cinema: a reassessment of Mass Observation material, M.O. Archive, University of Sussex 1995

HALLIDAY, M.A.K. 1978, Language as Social Semiotic, Edward Arnold 1978

HAYWARDS, Phillip. Culture, Technology and Creativity in the late Twentieth Century, John Libbey 1991

HEBDIGE, Dick. Subculture: The meaning of style, Methuen 1979

HEBDIGE, Dick. Hiding in the Light: on images and things, Routledge 1988

HELD JR, John. International Artists Cooperation: Mail Art Shows, 1979 - 1985. Dallas Public Library Texas 1986

HENRI, Adrian. Environments and Happenings, Thames & Hudson 1974

HENSHAW, David. Animal Warfare: the story of the animal liberaton movement, Fontana 1984

HESCHONG, Lisa. Thermal Delight in Architecture, M.I.T. 1979

HEWISON, Robert. Culture and Consensus: England, art and politics since 1940, Methuen 1997

HOBBES, Thomas. Leviathan, edited by Richard Tuck, Cambridge U.P. Revised student edition, 1996 (orig. 1651)

HODGE,Robert & Gunther Kress. Social Semiotics, Cornell U.P. New York 1988

HOME,Stuart. The Assault on Culture: Utopian currents from Lettrisme to Class War, Aporia Press & Unpopular Books 1988

HONDERICH, Ted. ed. The Oxford Companion to Philosophy, Oxford U.P. 1995

HONNETH, Axel. & Hans Joas eds. Communicative Action: essays on Jurgen Habermas' 'Theory of Communicative Action', Polity Press 1991

HORNE, Donald. The Public Culture: An argument with the future, Pluto 2^nd edition 1994 (orig. 1986)

HORSTER, Detlef. Habermas: an introduction, Pennbridge 1992

HOW, Alan. The Habermas-Gadamer Debate and the Nature of the Social: back to bedrock, Aldershot USW: Avebury 1995

HOY, David C. ed. Foucault: a critical reader, Blackwell Oxford 1986

HUME, David. An Enquiry Concerning the Principles of Morals, edited by Tom L. Beauchamp. Oxford U.P. 1998

HUNTER, James Davidson. Culture Wars: The struggle to define America, Basic Books N.Y. 1991

INGRAM, David. Habermas and the Dialectic of Reason, Yale U.P. 1989

JARANDARIE, Khosrow. Spoken and Written Discourse: a multi-disciplinary perspective, Ablex Stamford, Connecticut 1999

JAMES, David E. ed. To Free the Cinema: Jonas Mekas and the New York underground, Princeton U.P. 1992

JAMESON, Frederick. The Cultural Turn, Verso 1998

JENKINS, Keith. Rethinking History, Routledge 1991

JENKINS, Keith. On 'What is History?': from Carr and Elton to Rorty and White, Routledge 1995

JENKINS, Keith. Why History?: ethics and postmodernity, Routledge 1999

JENKS, C. Culture, Routledge 1993

JENNINGS, Michael W. Dialectical Images, Walter Benjamin's theory of literary criticism, Cornell U.P. Ithaca & London, 1987

JOHNSON, Christopher. Derrida: The scene of writing, Phoenix, London, 1997

JONES, Chris & Genevieve Jolliffe, The Guerilla Film-makers Handbook, Cassell, 1998 (1996)

JORDAN, Stephanie. Striding Out: aspects of contemporary and New Dance in Britain, Dance Books 1992

JOYCE, Patrick. Class, Oxford U.P. 1995

KAPLAN, Ann E. Rocking Around the Clock: music television, postmodernism and consumer culture, Methuen 1987

KAUFFMAN, Stuart. At Home in the Universe: The search for laws of complexity, Viking, 1995

KELLY, Michael. Ed. Critique and Power: recasting the Foucault-Habermas Debate, MIT, Cambridge, Mass. USA 1994

KERR CAMERON, David. The English Fair, Sutton Publishing 1998

KNIGHT, Julia. Diverse Practices, A critical reader on British video art, Univ. of Luton/ Arts Council of England 1996

KORTIAN, Garbis. Metacritique: The philosophical argument of Jurgen Habermas, Cambridge U.P. 1980

KRESS, Gunther & Theo Van Leeuwen. Reading Images: The grammar of visual design, Routledge 1996

KRIPPENDORFF, K. Content Analysis, Sage 1990

KROPOTKIN, Peter. The Great French Revolution, Schocken Books 1971 orig. 1890

KUENZLI, Rudolf E. ed. Dada and Surrealist Film, MIT Press USA 1996 (orig. 1987)

KULTERMANN, Udo. Art Events and Happenings, Transl. John William Gabriel, Mathews, Millar Dunbar 1971.

LACEY, Suzanne. Ed. Mapping the Terrain: new genre public art, Bay Press San Francisco 1995

LAING, Stuart. Representations of Working Class Life 1951-1964, Macmillan 1986

LEFEVBRE, Henri. The Production of Space, Transl. Donald Nicholson-Smith, Blackwells Oxford 1991 (1974)

LEEDS-HURWITZ,W. & N.J.Hillsdale. Semiotics and Communication: Signs, codes and culture, Lawrence Erlbaum 1993

LeGRICE, Malcolm. Abstract Film and Beyond, Studio Vista 1977

LEVINE, Lawrence W. Highbrow Lowbrow: The emergence of cultural hierarchy in America, Harvard U.P. USA 1988

LOW, Rachael & Roger Manvell. The History of British Film 1896 - 1906, George Allen & Unwin 1973 (orig. 1948)

LUPTON, Deborah. The Emotional Self: a socio-cultural exploration, Sage 1998

MACABE, Colin. The Eloquence of the Vulgar: Language, cinema and the politics of culture, British Film Institute 1999

MacCANNEL, Dean. & Juliet Flower MacCannell. The Time of the Sign, Indiana U.P. 1982

MACDONALD, Scott. A Critical Cinema, California U.P. 1988

MACDONALD, Scott. A Critical Cinema 2, California U.P. 1992

MACDONALD, Scott. Avant Garde Film, Cambridge U.P. 1993

MACHRELL, Judith. Out of Line: the story of British New Dance, Dance Books 1992

MACPHERSON, Don. ed. Traditions of Independence: British cinema in the thirties, British Film Institute 1980

MADISON, Gary B. ed. Working Through Derrida, Northwest U.P. USA 1993

MALTBY, Richard. ed. Popular Culture in the Twentieth Century, Grange Books 1994 (orig. 1988)

MANDELA, Nelson. Long Walk to Freedom, Little, Brown & Co. London, 1994

MARCUS, D.E. & F. MYERS. eds. The Traffic in Culture, California U.P. 1995

MARTIN-BARBERO, J. Communication, Culture, Hegemony: from the media to mediation, Verso 1993

MASON, J. Qualitative Researching, Sage 1996

MASSEY, Anne. The Independent Group: modernism and mass culture in Britain, 1945-59, Manchester U.P. 1995

MAXFORD, Howard. The A-Z of Horror Film, Batsford 1996

McCARTHY, Thomas. The Critical Theory of Jurgen Habermas, Cambridge/ MIT Press, 1978

McCORQUODALE, Duncan, et al. Occupational Hazard: Critical Perspectives on Recent British Art, Black Dog Press Leicester 1997

McGREW, Anthony. ed. The Transformation of Democracy: democratic politics in the new world order, Polity Cambridge 1997

McGUIGAN, J. Cultural Populism, Routledge 1992

MEEHAN, Johanna. Feminists Read Habermas: gendering the subject of discourse, Routledge 1995

MEKAS, Jonas. Movie Journal: the rise of the New American Cinema 1959 - 1971, Collier, N.Y. 1971

MELLENCAMP, Patricia. Indiscretions - Avant-Guard Film, Video & Feminism, Indiana U.P. USA 1990

MILLER, Daniel. Material Culture: and why some things matter, UCL 1988

MILLER, Daniel. ed. Shopping, Routledge 1998

MILLS, Sara. Discourse, Routledge 1997

MILNER, Andrew. Class, Sage 1999

MACEY, David. The Lives of Michel Foucault, Hutchinson 1993

MOUNCE, H.O. The Two Pragmatisms, From Pierce to Rorty, Routledge 1997

NENCEL,L. & P. Pels. eds. Constructing Knowledge: Authority and critique in the social sciences, Sage 1991

MUNT Sally R. ed. Cultural Studies and the Working Class: subject to change, Cassell 2000

NIETZSCHE, F. Untimely Meditations, Cambridge U.P. 1983 - 1995

NIZNIK, Jozef. & John T. Saunders eds. Debating the State of Philosophy: Habermas, Rorty and Kolakowski, Praeger 1996

NUTTAL, Jeff. Bomb Culture, MacGibbon and Kee 1968

O'PRAY, Michael. ed. The British Avant-Garde Film: 1926 - 1995, an anthology of writings, Univ.of Luton/ Arts Council of England, 1997

OUTHWAITE, William. Habermas: a critical introduction, Polity Press 1994

OUTHWAITE, William. ed. Habermas Reader, Polity Press 1996

PEOPLES, J. & G.Bailey. Humanity: An introduction to cultural anthropology, West Publ. Minneapolis St Paul USA 1994

PHEBY, Keith J. Interventions: Displacing the metaphysical subject, Maisonneuve Press USA 1988

PHILLIPS, Andrea. Ed. Out of Time: Hull Time Based Arts 1984 to 1998, H.T.B.A. Hull 1997

PERKS, Robert, Oral History: talking about the past, The Historical Association, Kennington, 1995

PERNECZKY, Geza. The Magazine Network: the trends of alternative art in the light of their periodicals, 1968 - 1988, Edition Soft Geometry Koln 1993

POSTER, Mark. Cyberdemocracy: internet and the public sphere, in David Porter ed. Internet Culture, Routledge NY 1996

POTTER, David, David Goldblatt, Margaret Kiloh, and Paul Lewis, eds. Democratization, Polity Press 1997

PRESSLER, Charles A. & Fabio B. Dasilva, Sociology and Interpretation: From Weber to Habermas, N.Y.U.P. 1996

PREVOST, Edwin. No Sound is Innocent, Copula, England, 1995

PREZIOSI, Donald. The Art of Art History: a critical anthology, Oxford U.P. 1998

RABINOW, P. Ed. The Foucault Reader, Pantheon N.Y. 1984

REES, A.L. A History of Experimental Film and Video, British Film Institute 1999

REHG, William. ed. Insight and Solidarity: discourse and ethics of Jurgen Habermas, California U.P. 1994

RENAN, Sheldon. The Underground Film: An Introduction to its development in America, Studio Vista 1968

RICHTER, Hans. The Struggle for Film: towards a socially responsible cinema, Transl. Ben Brewster, Wildwood House 1986 (orig. Vienna, 1976)

RITVO, Harriet. The Platypus and the Mermaid, and Other Figments of the Classifying Imagination, Harvard U.P. 1997

ROBERTS C.H. & T.C. Skeats. The Birth of the Codex, Oxford U.P. 1983

ROBBINS, Derek. Bourdieu and Culture, Sage 1999

ROBINSON, David et al. eds. Encyclopaedia of the Magic Lantern, The Magic Lantern Society 2000

ROBLIN, Ronald. Aesthetics of the Critical Theorists: studies on Benjamin, Adorno, Marcuse and Habermas, Mellen Press, NY USA 1990

ROCHON, Thomas R. Culture Moves, Princeton U.P. 1998

ROCKMORE, Tom. Habermas on Historical Materialism, Indiana U.P. 1989

RODOWICK, D.N. Gilles Deleuze's Time Machine, Duke U.P. 1997

ROSALDO, R. Culture and Truth: The remaking of social analysis, Routledge 1993

ROSE, Jonathan. The Intellectual Life of the British Working Classes, Yale U.P. 2001

ROSENFELD, Michel & Andrew Arato, ed. Habermas on Law and Democracy: critical exchanges, California U.P. 1998

ROSS, Andrew. No Respect: Intellectuals and Popular Culture, Routledge, 1989

SABIN, Roger. Comics, Comix and Graphic Novels: A History of Comic Art, Phaidon 1996

SAID, Edward W. Culture and Empire, Vintage, London, 1993

SAID, Edward W. Representations of the Intellectual, The 1993 Reith

Lectures, Vintage, 1994

SALT, Barry. Film Style and Technology: history and analysis, Starword, 1983.

SAMUEL, Raphael & Paul Thompson, eds. The Myths We Live By, Routledge 1990

Sanjek, Roger. Fieldnotes: the making of anthropology, Cornell U.P. USA 1990

SARGEANT, Jack. Death-Tripping - The Cinema of Transgression, Creation Books, England 1995

SARGEANT, Jack. Naked Lens - Beat Cinema, Creation Books England 1997

SCOTT, John A. A Matter of Record: Documentary sources in social research, Polity Cambridge 1990

SEIDLER, Victor J. Kant, Respect and Injustice: the limits to liberal moral theory, RKP 1986

SHOTTER, John. Cultural Politics of Everyday Life, OUP, Birmingham, 1993

SHUSTERMAN, Richard. Pragmatic Aesthetics: Living Beauty, Rethinking Art, Blackwell Oxford 1992

SITNEY, Adam P. ed. Film Culture Anthology, Thames & Hudson 1971

SITNEY, Adam P. Visionary Film, The American Avante Guard 1943 - 1978, Oxford U.P. 1974 - 79

SMITH, D.E. Texts, Facts and Femininity: Exploring the relations of ruling, Routledge 1993

SOAR, Geoffrey & David Miller, Interaction and Overlap, Coracle Press 1994

SOLOMON, Harry M. The Rise of Robert Dodsey: creating a new age of print, Southern Illinois U.P. 1996

SJOBERG, Gideon and Roger Nett. A Methodology for Social Research, Waveland Press Illinois 1997 orig. Harpers and Row 1968

SPARKE, Penny. As Long As It's Pink: The sexual politics of taste, Pandora London, 1995

Squatting: the real story, Bay Leaf Books 1980

STEWART, Alex. The Ethnographer's Method, Sage 1998

STITT, Andre. Small Time Life, Black Dog Press Leicester 2001

STONE, Barbara. America Goes to the Movies: 100 years of motion picture exhibition, National Association of Theatre Owners USA 1993

STOREY, J. Cultural Theory and Popular Culture, Harvester Wheatsheaf England 1993

SWINDAL, James. Reflection Revisited: Jurgen Habermas' discursive theory of truth, Fordham U.P. 1998

SZCZELKUN, Stefan. The Conspiracy of Good Taste: William Morris, Cecil Sharp, Clough Williams-Ellis and the repression of working class culture in the 20^th century, Working Press 1993

TALLACK, Douglas. ed. Critical Theory: a reader, Harvester/ Wheatsheaf England, 1995

TEUBNER, G. Law as an Autopoietic System, Transl. A. Bankowska and R. Adler, Ed. Z. Bankowski, Oxford U.P. 1993

THOMPSON, Dorothy. Outsiders, Class, Gender and Nation, Verso 1993

THOMPSON, E.P. Customs in Common, Penguin, 1993 (1991)

THOMPSON, E.P. The Making of the English Working Class, Penguin 1991 (Orig. Gollancz 1963)

THOMPSON, Paul. The Voice of the Past: Oral history, Oxford U.P. 2nd edition, 1988 (1978)

THORNTON, Sarah. Club Culture: music media and sub cultural capital, Polity Press 1995

TICH, Mary & Richard Findlater, Little Tich, Giant of the Music Hall, Elm Tree Books 1979

TOSH, John. The Pursuit of History, Longman 1991

TURNER, Graeme. Film as Social Practice, Routledge 1988

TURNER, Richard. In Your Blood: football culture in the late 1980's and early 1990's, Working Press 1990

TWITCHELL, James B. Carnival Culture: The trashing of taste in America, Columbia U.P. 1992

TYLER, Parker. Underground Film: a critical history, Secker & Warburg 1971 (orig 1969)

VAN LEEUWEN, Theo. Speech, Sound, Music, Macmillan 1999

VAN LEEUWEN, Theo. & Carey Jewitt. eds. The Handbook of Visual Analysis, Sage 2000

VOGEL, Amos. Film as a Subversive Art, Random House 1974

WADE, Graham. Street Video, an account of five video groups, Blackthorn Press, Leicester 1980

WALKERDINE, Valerie. Daddy's Girl: Young girls and popular culture, Macmillan 1997

WALWIN, Jeni. Low Tide: Writing on artistic collaboration, Black Dog, Leicester, 1997

WATT, Tessa. Cheap Print and Popular Piety 1550-1640, Cambridge U.P. 1991

WEBBER, R. Basic Content Analysis, Sage, Newbury Park, 2nd edition, 1990

WESTBROOK, R.B. John Dewey and American Democracy, Ithaca, N.Y. 1991

WHITE, Hayden. Tropics of Discourse: essays in cultural criticism, John Hopkins U.P. Baltimore 1985

WHITE, Stephen K. The Recent Work of Jurgen Habermas: reason, justice and modernity, Cambridge U.P. 1988

WHITE, Stephen K. Cambridge Companion to Habermas, Cambridge U.P. 1995

WHITEHEAD, Fred. Culture Wars: opposing viewpoints, Greenhaven Press, San Diego, USA, 1994

WILLIAMS, Christopher. Cinema: the beginnings and the future, Westminster U.P. 1996

WILLIAMS, Raymond. What I Came to Say, Hutchinson Radius, London, 1989

WILLIAMS, Raymond. Culture and Society: 1780 - 1950, Pelican 1961-75 orig. 1958

WILLIAMS, Raymond. Towards 2000, Pelican 1985 (orig 1983)

WILLIAMS, Simon. Emotion and Social Theory, Sage 2000

WILLIAMSON, Judith. Decoding Advertisements: ideology and meaning in advertising, Marion Boyars 1978

WITTGENSTEIN, Ludwig. Zettel, Edited by G.E.M. Amscombe and G.H. von Wright, Transl. G.E.M. Anscombe, (Dual language edition), Basil Blackwell Oxford 1967

WITTGENSTEIN, Ludwig. Culture and Value, Blackwells 1980

WOLF, Eric R. Europe and the People Without History, University of California Press Berkeley 1982

WOLLEN, Peter. Signs and Meaning in the Cinema, Secker & Warburg/ British Film Institute 1969

WOLLEN, Peter. Readings and Writings, Verso 1982

Womens's Work: two years in the life of a women artists group, Women's Work, Brixton, 1986

WORSLEY, Peter. The Trumpet Shall Sound: A study of 'Cargo' cults in Melanesia, Mackibbon & Kee, London, 2^nd Edition 1968 (1957)

WORSLEY, Peter. Knowledges: What different peoples make of the world, Profile Books 1997

WRIGHT D.G. Popular Radicalism: the working class experience 1780-1880, Longman 1988

WUTHNOW, Robert et al. Cultural Analysis: The work of Peter L. Berger, Mary Douglas, Michael Foucault and Jurgen Habermas, Routledge 1984

YOUNGBLOOD, Gene. Expanded Cinema, Dutton, USA, 1970

ZAVARZADEH, Mas'ud. Pun(k) deconstruction, post-theory and ludic politics, Maisonneuve Press USA 1994

ZIMMERMAN, Patricia R. Reel Families: A social history of amateur film, Indiana U.P. 1995

ZIZEK, Slovoj. Looking Away: Jacques Lacan and popular culture, M.I.T. USA 1992-97

2. ARTICLES IN JOURNALS, CHAPTERS IN BOOKS, THESII, ETC.

'25 Years from Scratch' (programme) ICA London 20^th November 1994

'ALBANY VIDEO Distribution Catalogue', Deptford, London, 1986

ANDERSON, Virginia. 'British Experimental Music: Cornelius Cardew and his contemporaries', MA Thesis August 1983 (now republished www.experimentalmusic.co.uk)

BARN, S. 'The Sense of the Past: image, text and object in the formation of historical consciousness in nineteenth century Britain', in H.A. Veeser ed. The New Historicism, Routledge, London, 1989

BERKO, Lili. 'Surveying the Surveilled: video, space and subjectivity', Quarterly Review of Film and Video (V 14 July 1992 pp61-91)

BLEWITT, John. 'Film, Ideology and Bourdieu's Critique of Public Taste', British Journal of Aesthetics (V 33 No4 October 1993)

BOURDIEU, Pierre. 'The Purpose of Reflexive Sociology (The Chicago workshop)' in, P. Bourdieu and L.J. Wacquant, eds. An Invitation to Reflexive Sociology, Polity 1992

CANYON CINEMA, Catalog 7, San Francisco, USA, 1992

CHRISTIE, Ian. 'French Avant-Garde Film in the Twenties: From specificity to surrealism' in, Film As Film: formal experiment in film 1910-1975, Arts Council of GB/ Hayward Gallery 1979

CLAID, Emilyn. 'Yes, No, Maybe: the practice of illusion in dance theatre performance', PhD Thesis, University of Surrey, 1998

COLLINS, Richard. 'Public service versus the market ten years on: reflections on critical theory and the debate on broadcasting policy in the UK', Screen (V 34 Autumn 1993 pp243-59) London

CORVIN, Anne-Marie. 'Pause for Thought', (on home video), Creation magazine (Dec 1997/ Jan 1998)

CURTIS, Dave. 'A Tale of Two Co-ops', in David E. James, To Free the Cinema, Princeton UP 1992

DAHMS, Harry F. 'Theory in Weberian Marxism: patterns of Critical Social Theory in Lukacs and Habermas' Sociological Theory (V15 (3) 1997 pp181 - 214)

DEACON, David, Alan Brymann and Natalie Fenton, 'Collision or Collusion?: a discussion and case history of the unplanned triangulation of quantitative and qualitative research methods', The International Journal of Social Research Methodology, Theory and Practice, (V1 No1 January - March 1998 p47)

DEREN, Maya. 'Amateur Versus Professional', Film Culture (v39, Winter 1965 p45)

DERRIDA, Jaques. 'Archive Fever: a Freudian impression', Diacritics (Summer 1995)

DUPRE, Francoise. 'Brixton Artists Collective', m/s 6 pp. paper given at London Creative Chaos Conference, Museum of London, October 1997

FIELDING. N, 'Ethnography' in, N. Gilbert, ed. Researching Social Life, Sage 1993.

FONTANA, A. 'Ethnographic Trends in the Postmodern Era' in, D.R. Dickens and A. Fontana, eds. Postmodernism and Social Enquiry, UCL Press 1994

FOUCAULT, Michel. 'Nietzsche, Genealogy, History' in, P. Rabinow ed. The Foucault Reader, Penguin 1986

FRAYLING, Christopher. 'Research in Art and Design', Vol 1 No1 Royal College of Art, London, 1994/5

FULLER, Mathew. 'Now Make a Film! The Exploding Cinema', The American Book Review, (V 16 No 5 Feb 1995 p7)

GOMES, Maryanne. 'The Past As Present: the home movie as cinema of record', m/s 1997

HABERMAS, Jurgen. 'Hannah Arendt: On the concept of power' in, Habermas, Philosophical Political Profiles, Transl. F.G. Lawrence, Cambridge, MA USA 1985

HABERMAS, Jurgen. 'An Intersubjectivist Concept of Individuality', Journal of Chinese Philosophy, Honolulu, HI(JChinP) (1991 June V18:2 pp133-41)

HABERMAS, Jurgen. 'From Kant to Hegel: On Robert Brandom's Pragmatic Philosophy of Language', in European Journal of Philosophy (V 8, No 3 December 2000 pp322-355)

HABERMAS, Jurgen. 'Actions, Speech Acts, Liguistically Mediated Interactions and the Lifeworld', in, G. Foistad, ed. Philosophical Problems Today (V 1 Willard V. Quine, Boston 1994)

HABERMAS, Jurgen. 'Why Europe Needs a Constitution', New Left Review (11 Sept - Oct 2001)

HALL, Stuart. 'Popular democratic vs authoritarian populism: two ways of 'taking democracy seriously' in, Stuart Hall, ed. The Hard Road to Renewal, Verso 1988

HASKELL,Lisa. 'Independent Media in the UK', (electronic paper) from http://www.desk.nl/~nettime, Independent Media Magazine 1997/98

HEBDIGE, Dick. 'From Culture to Hegemony' in, S. During, ed. The Cultural Studies Reader, Routledge 1993

HELLER, Agnes. 'Habermas and Marxism' in, John B. Thompson and David Held eds. Habermas: Critical Debates, Macmillan 1982

HOHENDAHL, Peter Uwe. 'Recasting the public sphere (post-war Germany and the depoliticisation of public forms of discourse in modern society)', October (No73 Summer 1995 pp 27-54) Cambridge, Mass.

KESTER, Grant H. Discursive Aesthetics: a critical framework for littoral art, m/s 1998

LEGRICE, Malcolm. 'Towards a Temporary Economy', Screen (V 20 Nos 3/4 Winter 1979/80)

LI, Victor. 'Habermas and the Ethnocentric Discourse of Modernity' in, Kreiswirth & Carmichael, eds. Constructive Criticism: the human sciences in the age of theory, Toronto U.P. 1995

MAY, Tim. 'Reflexivity in the Age of Reconstructive Social Science', International Journal of Social Research Methodology (V 1 No 1 January - March 1998)

MEKAS, Jonas. 'Anti-100 years of cinema manifesto' a large format 8 page artist's magazine published by Agnes B. Paris 1996

MIKULAK, Bill. 'Mickey Meets Mondrian: cartoons enter the Museum of Modern Art' in Cinema Journal (V36:3 Spring 1997 pp 56 - 72)

MUMBY, Dennis K. 'Two Discourses on Communication Power and the Subject: Jurgen Habermas and Michel Foucault' in, George Levine, ed. Constructions of the Self, Rutgers UP, New Brunswick, NJ, USA, 1992

NORRIS, Christopher. 'Deconstruction, Postmodernism and Philosophy: Habermas on Derrida' in, David Wood, Derrida: a critical reader, Blackwells, Oxford, 1992

NOYS, Benjamin. 'Communicative Unreason: Bataille and Habermas', Theory Culture and Society (1997 V14:1 pp59-75)

PAYNE, Paddy. 'Obituary: Exploding Cinema 1991 – 1994', Kinokaze, Report from the Underground, (Issue 3 1995)

PICTON, Tom. 'Two-way mirror (on video)' in, Godfrey Boyle & Peter Harper eds. Radical Technology, Wildwood 1976

PIERCE, C.S. 'Logic as Semiotic: The theory of signs' in, J. Buhler, ed. Philosophical Writings of Pierce, Dover, N.Y. 1955

PORTELLI, Alessandro. 'The Peculiarities of Oral History' in, History Workshop (V12 Autumn 1981)

POSTER, Mark. 'Postmodernity and the Politics of Multiculturalism: The Lyotard-Habermas debate over social theory', Modern Fiction Studies, MD, Baltimore, USA, (1992 Fall V38:3 pp567-80)

REES, A.L. 'Conditions of Illusionism', Screen, (V18 No3 Autumn 1977)

REHG, William. 'Reason and Rhetoric in Habermas's Theory of Argumentation' in, Jost & Hyde eds. Hermeneutics in Our Time: a reader, Yale U.P. USA 1997

ROUANE, Donal. Kinokaze: Report from the Underground, Issue 1, c1992; Issue 2, c1993; Issue 3, 1995; Issue 4, 1997

ROBERTS, Patricia. 'Habermas' Varieties of Communicative Action: controversy without combat', JAC: a journal of Composition theory, (Fall 1997 11:2 409-24) University of South Florida, www.cas.usf.edu/JAC

RORTY, Richard. 'Habermas and Lyotard on Postmodernity' in, Ingeborg Hoesterey ed. Zeitgeist in Babel: the postmodernist controversy, Indiana U.P. 1991

RORTY, Richard. 'The Priority of Democracy to Philosophy' in, R. Rorty, Objectivity, Relativism and Truth, Cambridge U.P. 1991

SANJEK, R. 'On Ethnographic Validity' in, R. Sanjek (Ed.), Fieldnotes: the makings of an anthropology, Cornell U.P. NY 1990

SEAGO, Alex. 'Research Methods for MPhil and PhD students in Art and Design: Contrasts and conflicts', Royal College of Art Research Papers, Vol.1 No.3, Royal College of Art, London, 1994/5

SEYMOUR, Benedict. 'The Last Picture Show', Mute magazine, (Issue 22, December 2001 pp12/13)

SHUSTERMAN, Richard. 'Postmodernism and the Aesthetic Turn,' Poetics Today (V10 1989 605-622).

SHUSTERMAN, Richard. 'Of the Scandal of Taste: Social Privilege as Nature in the Aesthetic Theories of Hume and Kant,' Philosophical Forum, (V29 1989 211-229).

SHUSTERMAN, Richard. 'Don't Believe the Hype: Animadversions on the Critique of Popular Art,' Poetics Today (V14 1993)

SIPE, Dan. 'The future of oral history and moving images' in, Robert Perks & Alastair Thompson, eds. The Oral History Reader, Routledge 1997

SKEET, Jason & Mark Pawson. 'Counter Intelligence: Zines, comics, pamphlets, flyers, a catalogue of self-published and autonomous print creations', BM JED WC1N 3XX 1995

SILVERMAN,D. 'Towards an Aesthetics of Research', in, D. Silverman, ed. Qualitative Research: Theory, method and practice, Sage 1997

SLATER, Howard. 'Post Media Operators', Break/Flow, 28.01.97

SLATER, Howard. 'Canon blasting for a living culture', Resonance magazine (Vol 8 No 1 London 2000)

SNIPE, Dan. 'The Future of Oral History and Moving Images', Oral History Review, (Spring/fall 1991 vol. 19 nos. 1/2 pp75 - 87)

SUTHERLAND, Roger. 'The Death of the Scratch Orchestra'. Noisegate (No 8 2001 pp7 - 14)

SUTHERLAND, Roger. 'The Death of the Scratch Orchestra: a personal account'. Noisegate (No 8 2001 pp7 - 12)

SZCZELKUN, Stefan.'Sharsted Street Self-Build Housing Co-op', Variant, Issue 2 1997

SZCZELKUN, Stefan 'The Heart of the Matter: Diana, democracy and popular culture', Stefan Szczelkun, Working Press pamphlet 1997

SZCZELKUN, Stefan. Kennington Park: Birthplace of people's democracy, Working Press Pamphlet, Kennington, London, 1998

SZCZELKUN, Stefan.'Working Press 1987-1997: ten years of an umbrella imprint for working class artists who wished to self-publish', El Djarida (No 14, Oslo, Spring 1998)

SZCZELKUN, Stefan. 'The Value of Home Movies', Oral History Society Journal, Autumn 2000 (V28 No 2 pp94/98)

SZCZELKUN, Stefan. 'The Scratch Orchestra', Noisegate (No 9 2002 p36)

TARRAGO, Paul. 'The Condition of Celebrity: film, audiences and fame'. Goldsmiths College. MRes Thesis. Sept.1996

THOMSETT, Fabian. 'Exploding Cinema', in Transgressions, a Journal of Urban Exploration, (No 1 Univ. of Newcastle Summer 1995)

TLATLI, Soraya. 'The Intoxication of the Avant Garde in Benjamin and Habermas' in, Stephen Barker ed. Signs of Change: Premodern, Modern, Postmodern, State Univ. of New York Press 1996

VAN LEEUWEN, Theo. 'Moving English: the visual language of film' in, S. Goochan & D. Graddol. Eds. Redesigning English: new texts, new identities, Routledge 1996

VIDICH, A.J. & S.M. Lyman. 'Qualitative Methods: Their history in sociology and anthropology' in, N.K. Denzin & Y.S. Lincoln, eds. Handbook of Qualitative Research, Sage 1994

VISKER, R. 'Habermas on Heideger and Foucault: meaning and validity in the philosophical discourse of modernity', Radical Philosophy (V61 1992 pp15 - 22)

WARD, Frazer. 'The Haunted Museum: institutional critique and publicity (historical and neo avant garde art, and its relations with museums as forms of public discourse)', October USA (No73 Summer 1995, pp 71-89) Cambridge, Mass.

WELBERY, David E. 'Nietzsche - Art - Postmodernism: a reply to Jurgen Habermas', Stanford Italian Review, USA (V6:1-2 1986 pp77-100)

WELLMER, A. 'Hannah Arendt on Judgement: the unwritten doctrine of reason' in, L. May and J. Kohn, eds. Hannah Arendt: twenty years later, Cambridge, Mass. 1996

WELLS, Susan. 'Differentiated Reason and Derationalised Science', Criticism: a quarterly for literature and art, Detroit, USA, (Fall V 29:4 1987 pp497-525)

WHITE, Hayden. 'The Value of Narraticity in the Representation of the Real' in, W.J.T. Mitchell, ed. On Narrative, Chicago U.P. 1981

WHITEHEAD, Fred. 'David Hume's Concept of Benevolence: a chapter in the history of ethical theory, with applications to medicine', m/s 1998

WILLIAMSON, Judith. 'Meaning and Ideology', in A. Gray & J. McGuigan, eds. Studying Culture: an introductory reader, Edward Arnold, London, 1993

WINSLOW, Michelle. 'Polish Migration to Britain: war, exile and mental health', Oral History Journal (V27 Spring 1999)

WYNNE, B. 'May the sheep safely graze? A reflexive view of the expert - lay knowledge divide', in S. Lash, B. Szerszynski and B. Wynne, eds. Risk, Environment and modernity: Towards a new ecology, Sage 1996

3. VIDEOS, WEBSITES AND OTHER MEDIA.

BAILEY, Fenton & Randy Barbito. Dirs. Videos, Vigilantes and Voyeurism, 60mins, CH4, 19-9-93

www.explodingcinema.org

'A History of Alternative Comedy', (BBC2 6-4-02 R) 90 mins

History in Action: The Home Front through Home Movies (video) CH4 Schools, 1998

HOW, Loo. Dir. How to Be a Successful Spectator, How, London, 1994 (Documentary on ExC)

MARTIN, Adrian. 'Light My Face: the geology and geography of film canons' in, Senses of Cinema Issue 14 June 2001 (www.senseofcinema.com)

www.undercurrents.org

www.undergroundfilm.com

ZWIGOFF, Terry. 'Crumb' Robert Crumb documentary, Columbia Tristar 1995

Stefan Szczelkun 2002